Literature and cinema

Elfos, anões e mulheres: A produção dos fãs de Tolkien sobre a inserção de Tauriel em O Hobbit

Literature and cinema / J. R. R. Tolkien / Fan Cultures / Fandom / Fandom Studies

A Escrita do Cinema: ensaios. Org. Clara Rowland e José Bértolo. Lisboa: Documenta, 2015.

Film Studies / Literature and cinema / Cinema / Cinema Studies / Film and writing

Tempus fugit .Décimo Aniversario de Destiempos

Literature and cinema / Juan Rulfo / Retórica / Sor Juana Inés de la Cruz / Teatro / Literatura Medieval / Literatura española e hispanoamericana / Bulgakov / Literatura Novohispana / Literatura Medieval / Literatura española e hispanoamericana / Bulgakov / Literatura Novohispana

Ficção e morte em \"O Desaparecimento de García Lorca\"

Literature and cinema / Federico García Lorca / GUERRA CIVIL ESPAÑOLA

CULTURA E EXPERIÊNCIA ESTÉTICA

Design / Fashion design / Literature and cinema / Interior Design / Feminism / Feminism and Social Justice / Filosofía / Artes / Artes plásticas / Cine, musica, artes visuales / Facultad de Bellas Artes / Artes Visuais / Latin American feminisms / Feminism and Social Justice / Filosofía / Artes / Artes plásticas / Cine, musica, artes visuales / Facultad de Bellas Artes / Artes Visuais / Latin American feminisms

Fragmenty, resztki i przekleństwo archiwum - o nostalgii w kulturze found footage

Restorative Dentistry And Endodontics / Philosophy / Archival Studies / Art History / New Media / Performing Arts / Humanities / Avant-Garde Cinema / Art / Art Theory / Film Theory and Practice / Film Studies / Film Theory / Memory (Cognitive Psychology) / Learning & Memory / Digitalizations of Non-Digital Art Works, Shows, Galleries, Events, Archives, Publishings / Cultural Heritage / Heritage Studies / Film Music And Sound / Digital Media / Contemporary Art / Literature and cinema / Film Analysis / Human Memory / History and Memory / Nostalgia (Psychology) / National Cinemas / Digital Cinema / Philosophy of Film / Philosophy of Art / Film Genre / Historical memory / Heritage Conservation / Digital Culture / Archives / Film-Philosophy / Working Memory / Materialism / Hauntology / Memory Studies / Social and Collective Memory / Commemoration (Memory Studies) / Cultural Memory / Jacques Derrida / Film History / Commemoration and Memory / Minimalism / Collective Memory / History of Art / Film Semiotics / Psychoanalytic Film Theory / American Cinema / Film and History / Film & Digital Video / Materiality (Anthropology) / Popular And Political Cultures Of Memory / History of Archives / Contemporary Music / Derridean Deconstruction / Digital Archives / Social Memory / New Media Art / Cinema / Cultural Heritage Management / Public Memory / Film and Philosophy / World Cultural Heritage / memoralization / Art and Independent Cinema / Materiality of Art / Loss and Trauma / American independent cinema / Film Aesthetics / Visual Arts / Derrida / Autobiographical Memory / Grief (Psychology) / Memory and materiality / Jacques Derrida & Deconstruction / Digital Cultural Heritage / Digital Theory and Culture / Experimental Film / Film / Entropy / Minimalism (Art) / New Media Studies / Cinematography / Nostalgia / Film and Media Studies / American Independent Films / Guy Maddin / Heritage / Memory / Mass Communication and New Media / Cinema Studies / Science for Conservation and Restoration of Cultural Heritage / New Media and Digital Culture / Complicated Grief / Film archives / Materialities / Artes / Found Footage / Museum and Heritage Studies / Materiality / Archival Theory / Films / Archive / Consumption of nostalgia and retro items / Politics of Memory / Material Culture & Materiality / Destruction / Audiovisual Archives / Death, Grief, and Mourning / Grief and Loss / Grief / Nostalgia and Memory / Post-structuralism (especially the work of Jacques Derrida) / Contemporary Cinema / Archive Footage, Found Film / Decay / Creative Destruction / Film History & Archiving / Revival / Information Entropy / Glitch Art / PHILIP GLASS / Cinema and Television / Experimental Cinema, Found Footage / Retrospective Studies / Found-Footage Horror / Digitalisation of Cultural Heritage / Library and Archival Science / Social Memory and Nostalgia / Found Footage (Genre) / Bill Morrison / Specters of Marx / Widmontologia / Vintage Revival / Pixelisation / History of Film Theory and Criticism / Found Footage Research / Decasia / Svetlana Boym / Death and Grief and Social Media / Derrida Hauntology / Archival Footage / Performing Arts / Humanities / Avant-Garde Cinema / Art / Art Theory / Film Theory and Practice / Film Studies / Film Theory / Memory (Cognitive Psychology) / Learning & Memory / Digitalizations of Non-Digital Art Works, Shows, Galleries, Events, Archives, Publishings / Cultural Heritage / Heritage Studies / Film Music And Sound / Digital Media / Contemporary Art / Literature and cinema / Film Analysis / Human Memory / History and Memory / Nostalgia (Psychology) / National Cinemas / Digital Cinema / Philosophy of Film / Philosophy of Art / Film Genre / Historical memory / Heritage Conservation / Digital Culture / Archives / Film-Philosophy / Working Memory / Materialism / Hauntology / Memory Studies / Social and Collective Memory / Commemoration (Memory Studies) / Cultural Memory / Jacques Derrida / Film History / Commemoration and Memory / Minimalism / Collective Memory / History of Art / Film Semiotics / Psychoanalytic Film Theory / American Cinema / Film and History / Film & Digital Video / Materiality (Anthropology) / Popular And Political Cultures Of Memory / History of Archives / Contemporary Music / Derridean Deconstruction / Digital Archives / Social Memory / New Media Art / Cinema / Cultural Heritage Management / Public Memory / Film and Philosophy / World Cultural Heritage / memoralization / Art and Independent Cinema / Materiality of Art / Loss and Trauma / American independent cinema / Film Aesthetics / Visual Arts / Derrida / Autobiographical Memory / Grief (Psychology) / Memory and materiality / Jacques Derrida & Deconstruction / Digital Cultural Heritage / Digital Theory and Culture / Experimental Film / Film / Entropy / Minimalism (Art) / New Media Studies / Cinematography / Nostalgia / Film and Media Studies / American Independent Films / Guy Maddin / Heritage / Memory / Mass Communication and New Media / Cinema Studies / Science for Conservation and Restoration of Cultural Heritage / New Media and Digital Culture / Complicated Grief / Film archives / Materialities / Artes / Found Footage / Museum and Heritage Studies / Materiality / Archival Theory / Films / Archive / Consumption of nostalgia and retro items / Politics of Memory / Material Culture & Materiality / Destruction / Audiovisual Archives / Death, Grief, and Mourning / Grief and Loss / Grief / Nostalgia and Memory / Post-structuralism (especially the work of Jacques Derrida) / Contemporary Cinema / Archive Footage, Found Film / Decay / Creative Destruction / Film History & Archiving / Revival / Information Entropy / Glitch Art / PHILIP GLASS / Cinema and Television / Experimental Cinema, Found Footage / Retrospective Studies / Found-Footage Horror / Digitalisation of Cultural Heritage / Library and Archival Science / Social Memory and Nostalgia / Found Footage (Genre) / Bill Morrison / Specters of Marx / Widmontologia / Vintage Revival / Pixelisation / History of Film Theory and Criticism / Found Footage Research / Decasia / Svetlana Boym / Death and Grief and Social Media / Derrida Hauntology / Archival Footage

Polvos, fantasmas e monstros: cinema e poesia em Pierre Alferi

Literature and cinema / Cinema / Poesía / Poesia / Poesia brasileira moderna e e contemporânea / Poésie Française Contemporaine / Poesia francesa / Poesia Francese Contemporanea / Poésie Française Contemporaine / Poesia francesa / Poesia Francese Contemporanea

Sobrevivências do realismo, naturalismo e romantismo na pintura e no cinema soviéticos

History / Cultural History / Eastern European Studies / Art History / Literature and cinema / Contemporary History / Eastern European history / Communism / History of the USSR / Sociology of Cinema / Second World War / Cinema / Socialism / Occupation and Resistance in WW2 / Stalin and Stalinism / Second World War (History) / Socialist Realism / Cinema Studies / History of Communism / Cinema and History / Cinema of the Soviet Union / SEGUNDA GUERRA MUNDIAL / Soviet and Post Soviet Cinema / Stalin and the USSR / MILITARY HISTORY WW2 / Marc Ferro / Contemporary History / Eastern European history / Communism / History of the USSR / Sociology of Cinema / Second World War / Cinema / Socialism / Occupation and Resistance in WW2 / Stalin and Stalinism / Second World War (History) / Socialist Realism / Cinema Studies / History of Communism / Cinema and History / Cinema of the Soviet Union / SEGUNDA GUERRA MUNDIAL / Soviet and Post Soviet Cinema / Stalin and the USSR / MILITARY HISTORY WW2 / Marc Ferro

Entrevista a Eduardo Nabal

Literature and cinema

DA PENA À PELÍCULA - AS PERSONAGENS DE CARANDIRU

Literature and cinema / Literary Adaptation

Géopoétique des esprits

Chinese Studies / Literature and cinema / Cultural History Of Ghosts / Taiwan Studies / Chinese Art / Chinese Language and Culture / China / Cinema / Spirit Possession (Anthropology) / Transnational Cinema / Contemporary Taiwanese Fiction / Taiwan Cinema / Chinese Language and Culture / China / Cinema / Spirit Possession (Anthropology) / Transnational Cinema / Contemporary Taiwanese Fiction / Taiwan Cinema

As mulheres em Godard: contrapontos à teoria feminista do cinema em Une Femme est une Femme (1961)

Feminist Theory / Film Studies / French Cinema / Literature and cinema / Film Analysis / Feminism / Cinema / Jean-Luc Godard / Cinema Studies / Psychanalyse / Modern Cinema / History of Cinema / Laura Mulvey / Cinema Theory / História Do Cinema / Análise Fílmica / Feminism / Cinema / Jean-Luc Godard / Cinema Studies / Psychanalyse / Modern Cinema / History of Cinema / Laura Mulvey / Cinema Theory / História Do Cinema / Análise Fílmica
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