Movies

« Germaine Dulac na vanguarda do cinema : A sorridente senhora Beudet (1923) ou a subjetividade feminina filmada », Linguagens e Narrativas. Desafios Feministas, S. Bornéo Funck, L. Simões Minella et G. de Oliveira Assis (eds), Tubarão-SC, Editor Copiart, décembre 2014, p. 283-299.

Cultural History / Gender Studies / Avant-Garde Cinema / Women's Studies / French History / Film Studies / French Cinema / European Cinema / Women's History / Gender History / Literature and cinema / Silent Film / Gender / Early Cinema / Film History / 20th century France / Cinema / Gender And Violence / Avant-Garde / France / 20th century Avant-Garde / Women and Culture / Cinematography / Movies / Women and Gender Studies / Cinema Studies / Silent Cinema / Movie / European Avant Garde / Histoire des femmes / Watching movies / Germaine Dulac / Film Studies / French Cinema / European Cinema / Women's History / Gender History / Literature and cinema / Silent Film / Gender / Early Cinema / Film History / 20th century France / Cinema / Gender And Violence / Avant-Garde / France / 20th century Avant-Garde / Women and Culture / Cinematography / Movies / Women and Gender Studies / Cinema Studies / Silent Cinema / Movie / European Avant Garde / Histoire des femmes / Watching movies / Germaine Dulac

Encantamento do rosto. Poses e retratos de cinema.

History / Film Stars / Movies / Brazilian Films

Derek Jarman - cinema é liberdade [film festival, Caixa Cultural, Recife, Brazil, 2014]

Gender Studies / Film Studies / Queer Theory / Visual Culture / Film Analysis / Gender and Sexuality / English Language Arts / Film History / Cinema / British Cinema (Film Studies) / Queer Cinema / Film and Media Studies / Derek Jarman / Movies / Cinema and History / Super 8 / Gender and Sexuality / English Language Arts / Film History / Cinema / British Cinema (Film Studies) / Queer Cinema / Film and Media Studies / Derek Jarman / Movies / Cinema and History / Super 8

Tarkovsky: Intersubjectividade e Tempo

Gilles Deleuze / Slavoj Žižek / Philosophy of Time / Cinema / Tarkovsky / Andrei Tarkovsky / Erving Goffman / Movies / Russian Cinema / Cinema Studies / IMAGEM / Interatividade / Tempo / Serge Daney / Geoff Dyer / Andrei Tarkovski / Russian Cinematography and Literature / Cinema, Movimentos Sociais, Comunicação / Tarkovsky Solarys / Tarkovky Stalker / Andrei Tarkovsky / Erving Goffman / Movies / Russian Cinema / Cinema Studies / IMAGEM / Interatividade / Tempo / Serge Daney / Geoff Dyer / Andrei Tarkovski / Russian Cinematography and Literature / Cinema, Movimentos Sociais, Comunicação / Tarkovsky Solarys / Tarkovky Stalker

Stars, Pin-ups e It girls! Atrizes brasileiras sob o paradigma do estrelato hollywoodiano, 1950 - 1954

History / Cultural History / Film History / Classical Hollywood / Movies / Stardom and Celebrity

Transcrições fonéticas do latim falado em “A Paixão de Cristo”

Movies / Lingüística Histórica / Fonética / Fonologia / Teorias Linguisticas / Latim

De homens e deuses

Religion / Atheism / French Cinema / Early Church / Medieval Church History / Church History / Cinema / Movies / New Atheism / Richard Dawkins / Ateísmo / Missional Church Theology / Catholic Church History / Religião / Teoría Del Cine / Church History / Cinema / Movies / New Atheism / Richard Dawkins / Ateísmo / Missional Church Theology / Catholic Church History / Religião / Teoría Del Cine

Nuances da experiência narrativa contemporânea: a franquia Tron e a fronteira digital

Narrative / Cinema / Media Convergence / Movies / Narrativas / Convergência Midiática

peliculas pepito

Cult Movies / Invention of the movies / Movies / Home movies / Full Length Movies / Watch Full Movies

O cinema novo brasileiro e a influência das vanguardas cinematográficas europeias

Communication / Brazilian Cinema / Cinema / Italian neorealist cinema / Movies / Nouvelle Vague / Comunicação / Cinema Novo / Surrealismo Francês / Glauber Rocha / Vanguardas Europeias / Construtivismo Soviético / Nouvelle Vague / Comunicação / Cinema Novo / Surrealismo Francês / Glauber Rocha / Vanguardas Europeias / Construtivismo Soviético

As inter-relações da identidade tripartida no cinema de Wolfgang Becker: Adeus, Lênin! (2003) em análise

Identity (Culture) / Culture / Cinema / Movies / Comunicação / Cinema Studies / Comunicacion Social / Comunicação Social / Metalinguistic awareness and knowledge / Metalinguagem / Identidades / Ostalgie / Media and Cultural Studies / Cultural Theory / Representation of the Political Violence / Political pilgrimage and Political Pilgrimage Cinema / Propaganda and Violence / Visual Anthropology / Cuban Culture. / Análisis Fílmico / Análise Fílmica / Germany Cinema / Filmic analysis / Cinema Studies / Comunicacion Social / Comunicação Social / Metalinguistic awareness and knowledge / Metalinguagem / Identidades / Ostalgie / Media and Cultural Studies / Cultural Theory / Representation of the Political Violence / Political pilgrimage and Political Pilgrimage Cinema / Propaganda and Violence / Visual Anthropology / Cuban Culture. / Análisis Fílmico / Análise Fílmica / Germany Cinema / Filmic analysis
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