Cartography / Film Studies / Water / Chile / Dictatorships / Southern Cone (Area Studies) / Documentary Film / Affect (Cultural Theory) / Haunting and Spectrality / Geographical Imaginaries / Patricio Guzman / Patricio Guzmán - cine e historia / Memory and Space / Botón de nácar / Jonathan Perel / Las aguas del olvido / Enrique Ramírez / Los duermientes / Southern Cone (Area Studies) / Documentary Film / Affect (Cultural Theory) / Haunting and Spectrality / Geographical Imaginaries / Patricio Guzman / Patricio Guzmán - cine e historia / Memory and Space / Botón de nácar / Jonathan Perel / Las aguas del olvido / Enrique Ramírez / Los duermientes
Water / Material Culture Studies / Contemporary Art / Cultural Heritage Conservation / Art and Science / Materials / Materiality of Art / Memory and materiality / Fluids / Science for Conservation and Restoration of Cultural Heritage / Conservación y Restauración / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Conservation of contemporary art, Materiality in art, Conservation of time-based media works of art / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Water and Art / Agua y arte / Materials / Materiality of Art / Memory and materiality / Fluids / Science for Conservation and Restoration of Cultural Heritage / Conservación y Restauración / Materiality / Materiality in art, conservation of contemporary art, memory and memorial objects / Conservation of contemporary art, Materiality in art, Conservation of time-based media works of art / Conservation and Restoration / Arte contemporáneo / Material Culture & Materiality / Materials and Techniques of Artists / Conservation-Restoration of Modern and Contemporary Art / Water and Art / Agua y arte