পট-প্রতীক-বয়ান PHOTO-SIGNS-TEXT

পটের চিহ্নতত্ত্ব SEMIOTICS OF PHOTOGRAPHY

# Debaprasad Bandyopadhyay * ^ দেবপ্রসাে বট্যাপাধ্যায় ^

SUMMARY

(S)talker is now engaging both western and eastern tradition of understanding signs by analyzing both the still photography and cinematic representations. He is deploying both Vedantic tools (ghatakasa-patakasa tatva) and poststructuralist method for understanding allpervading sign-system in the image-messages.

For detailed discussion, kindly follow hyperlinks (blue-colored titles)

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2009-11. 2009-11. “পটের চিহ্নতত্ত্ব (Semiotics of Photography)” Photography Charcha. 16: 1 (pp.84-5), 2 (pp. 29), 3 (25-7), 4 (pp. 47-9), 17:1 (pp.37-8), 2 (pp.46-48), 3 (pg. 51) Download (.pdf)

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2011. “Review: Images for Change.” Sadhu, A. ed. Photography Charchaa. 16:3 (pp. 5860) RNI 41/26193/4 R.N. 61402/94. Download (.pdf)

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2011. ““পচতত ছচব” [“Falling Photos by Kerry Skarbakka.”]” [“Falling Photos by Kerry Skarbakka.”] Sadhu, Arup ed. Photography Charcha. 17:5 (pp.94-95) RNI 4126193/4-1. Reg. No. 61402/94. Download (.pdf)

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1997. “ছচি

থেটে

সমাটে:িু টে

থেিার

উপক্রম”

(Colonial

Photos:

A

Socio-semiotic

Interpretation).Photography Charcha. IV:2. (pp.17-26) Kolkata. RNI 41/26193/4-1, Reg.No. 61402/94 Download (.pdf)