Film History

Theravāda Cinema: Buddhist monastic aestheticism in contemporary Sinhala film

Buddhist Studies / Religion and Film / South Asian Studies / Sri Lanka / Film History / Theravada Buddhism / Religion and literature, film, media, and popular culture; global Christianity; postcolonial and cultural theory / Theravada Buddhism / Religion and literature, film, media, and popular culture; global Christianity; postcolonial and cultural theory

O espaço das atracções

Film Studies / Film Theory / Animation / Animation Theory / Visual Culture / Film Analysis / Film History / Film Analysis / Film History

A presença da Pathé-Baby no Rio de Janeiro e a coleção Paschoal Nardone no acervo do Arquivo Geral da Cidade do Rio de Janeiro

Film History / Brazilian Cinema / Amateur Film / Film History & Archiving / Home Movies and Amateur Film

Imaginários Coloniais. Propaganda, Militância e \'Resistência\' no Cinema/Colonial Imaginaries. Propaganda; Militancy and \'Resistance\' in the Cinema

Film Studies / Portuguese Studies / Postcolonial Studies / Colonialism / Film History / Postcolonial Feminism / Cinema / History of the Portuguese Empire / Documentary Film / Comunicação / Ciências da Comunicação / Postcolonial Feminism / Cinema / History of the Portuguese Empire / Documentary Film / Comunicação / Ciências da Comunicação

Imagens de África? Filmes e documentários portugueses relativos às antigas colónias africanas (primeira metade do século XX), 2016

History / Anthropology / Visual propaganda / Film Studies / Film Theory / Race and Racism / Film Analysis / Propaganda / Documentary (Film Studies) / Social and Cultural Anthropology / Critical Race Theory / Race and Ethnicity / Ideology / Portuguese Colonialism and Decolonizaton / Colonialism / Film History / Documentary Film / Colonial Exhibitions / Race and Racism / Film Analysis / Propaganda / Documentary (Film Studies) / Social and Cultural Anthropology / Critical Race Theory / Race and Ethnicity / Ideology / Portuguese Colonialism and Decolonizaton / Colonialism / Film History / Documentary Film / Colonial Exhibitions

Fragmenty, resztki i przekleństwo archiwum - o nostalgii w kulturze found footage

Restorative Dentistry And Endodontics / Philosophy / Archival Studies / Art History / New Media / Performing Arts / Humanities / Avant-Garde Cinema / Art / Art Theory / Film Theory and Practice / Film Studies / Film Theory / Memory (Cognitive Psychology) / Learning & Memory / Digitalizations of Non-Digital Art Works, Shows, Galleries, Events, Archives, Publishings / Cultural Heritage / Heritage Studies / Film Music And Sound / Digital Media / Contemporary Art / Literature and cinema / Film Analysis / Human Memory / History and Memory / Nostalgia (Psychology) / National Cinemas / Digital Cinema / Philosophy of Film / Philosophy of Art / Film Genre / Historical memory / Heritage Conservation / Digital Culture / Archives / Film-Philosophy / Working Memory / Materialism / Hauntology / Memory Studies / Social and Collective Memory / Commemoration (Memory Studies) / Cultural Memory / Jacques Derrida / Film History / Commemoration and Memory / Minimalism / Collective Memory / History of Art / Film Semiotics / Psychoanalytic Film Theory / American Cinema / Film and History / Film & Digital Video / Materiality (Anthropology) / Popular And Political Cultures Of Memory / History of Archives / Contemporary Music / Derridean Deconstruction / Digital Archives / Social Memory / New Media Art / Cinema / Cultural Heritage Management / Public Memory / Film and Philosophy / World Cultural Heritage / memoralization / Art and Independent Cinema / Materiality of Art / Loss and Trauma / American independent cinema / Film Aesthetics / Visual Arts / Derrida / Autobiographical Memory / Grief (Psychology) / Memory and materiality / Jacques Derrida & Deconstruction / Digital Cultural Heritage / Digital Theory and Culture / Experimental Film / Film / Entropy / Minimalism (Art) / New Media Studies / Cinematography / Nostalgia / Film and Media Studies / American Independent Films / Guy Maddin / Heritage / Memory / Mass Communication and New Media / Cinema Studies / Science for Conservation and Restoration of Cultural Heritage / New Media and Digital Culture / Complicated Grief / Film archives / Materialities / Artes / Found Footage / Museum and Heritage Studies / Materiality / Archival Theory / Films / Archive / Consumption of nostalgia and retro items / Politics of Memory / Material Culture & Materiality / Destruction / Audiovisual Archives / Death, Grief, and Mourning / Grief and Loss / Grief / Nostalgia and Memory / Post-structuralism (especially the work of Jacques Derrida) / Contemporary Cinema / Archive Footage, Found Film / Decay / Creative Destruction / Film History & Archiving / Revival / Information Entropy / Glitch Art / PHILIP GLASS / Cinema and Television / Experimental Cinema, Found Footage / Retrospective Studies / Found-Footage Horror / Digitalisation of Cultural Heritage / Library and Archival Science / Social Memory and Nostalgia / Found Footage (Genre) / Bill Morrison / Specters of Marx / Widmontologia / Vintage Revival / Pixelisation / History of Film Theory and Criticism / Found Footage Research / Decasia / Svetlana Boym / Death and Grief and Social Media / Derrida Hauntology / Archival Footage / Performing Arts / Humanities / Avant-Garde Cinema / Art / Art Theory / Film Theory and Practice / Film Studies / Film Theory / Memory (Cognitive Psychology) / Learning & Memory / Digitalizations of Non-Digital Art Works, Shows, Galleries, Events, Archives, Publishings / Cultural Heritage / Heritage Studies / Film Music And Sound / Digital Media / Contemporary Art / Literature and cinema / Film Analysis / Human Memory / History and Memory / Nostalgia (Psychology) / National Cinemas / Digital Cinema / Philosophy of Film / Philosophy of Art / Film Genre / Historical memory / Heritage Conservation / Digital Culture / Archives / Film-Philosophy / Working Memory / Materialism / Hauntology / Memory Studies / Social and Collective Memory / Commemoration (Memory Studies) / Cultural Memory / Jacques Derrida / Film History / Commemoration and Memory / Minimalism / Collective Memory / History of Art / Film Semiotics / Psychoanalytic Film Theory / American Cinema / Film and History / Film & Digital Video / Materiality (Anthropology) / Popular And Political Cultures Of Memory / History of Archives / Contemporary Music / Derridean Deconstruction / Digital Archives / Social Memory / New Media Art / Cinema / Cultural Heritage Management / Public Memory / Film and Philosophy / World Cultural Heritage / memoralization / Art and Independent Cinema / Materiality of Art / Loss and Trauma / American independent cinema / Film Aesthetics / Visual Arts / Derrida / Autobiographical Memory / Grief (Psychology) / Memory and materiality / Jacques Derrida & Deconstruction / Digital Cultural Heritage / Digital Theory and Culture / Experimental Film / Film / Entropy / Minimalism (Art) / New Media Studies / Cinematography / Nostalgia / Film and Media Studies / American Independent Films / Guy Maddin / Heritage / Memory / Mass Communication and New Media / Cinema Studies / Science for Conservation and Restoration of Cultural Heritage / New Media and Digital Culture / Complicated Grief / Film archives / Materialities / Artes / Found Footage / Museum and Heritage Studies / Materiality / Archival Theory / Films / Archive / Consumption of nostalgia and retro items / Politics of Memory / Material Culture & Materiality / Destruction / Audiovisual Archives / Death, Grief, and Mourning / Grief and Loss / Grief / Nostalgia and Memory / Post-structuralism (especially the work of Jacques Derrida) / Contemporary Cinema / Archive Footage, Found Film / Decay / Creative Destruction / Film History & Archiving / Revival / Information Entropy / Glitch Art / PHILIP GLASS / Cinema and Television / Experimental Cinema, Found Footage / Retrospective Studies / Found-Footage Horror / Digitalisation of Cultural Heritage / Library and Archival Science / Social Memory and Nostalgia / Found Footage (Genre) / Bill Morrison / Specters of Marx / Widmontologia / Vintage Revival / Pixelisation / History of Film Theory and Criticism / Found Footage Research / Decasia / Svetlana Boym / Death and Grief and Social Media / Derrida Hauntology / Archival Footage

Cineclubismo e Censura em Portugal (1943-65) (2013)

Film History / Film Censorship / Portuguese Cinema

O drama da descolonização em imagens em movimento – A propos do \"nascimento\" dos cinemas luso-africanos

African Studies / Film Studies / Portuguese Studies / Film History / Film and Media Studies

Os caminhos de Carlitos: A exibição dos filmes de Charles Chaplin no Rio de Janeiro, suas histórias e seus personagens (1914-1922)

Film History / Film Stars / Silent Cinema / Charles Chaplin / Film Exhibition / Rio de Janeiro / History of Cinema / Rio de Janeiro / History of Cinema

Cinema queer? Sugestões de-formativas

Gender Studies / Queer Studies / Sex and Gender / Film Studies / Film Theory / Queer Theory / Film Analysis / Gender and Sexuality / Gender / Theories of Gender and Transgender / Film History / Cinema / New Queer Cinema / Film Aesthetics / Film / Queer Cinema / Film and Media Studies / Teoría Queer / Cinema Studies / Análisis Fílmico / Queer Art History, New Queer Cinema, Cinema / Queer Theory / Film Analysis / Gender and Sexuality / Gender / Theories of Gender and Transgender / Film History / Cinema / New Queer Cinema / Film Aesthetics / Film / Queer Cinema / Film and Media Studies / Teoría Queer / Cinema Studies / Análisis Fílmico / Queer Art History, New Queer Cinema, Cinema

\"África(s). Cinema e revolução\". Lúcia Ramos Monteiro (org.). São Paulo, Buena Onda Produções, 2016.

Film Studies / Guinea-Bissau / Mozambique / Film History / Angola / African cinema

Figuras populares no documentário silencioso brasileiro

Film History / Brazilian Cinema / Cinema and Media Studies / History of Film Theory and Criticism
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