Contemporary Trans* Autobiography

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Sarah Ray Rondot “Radical Epistemologies in 21st Century Trans* Life Writing” [email protected]

“Radical Epistemologies in 21st Century Trans* Life Writing” › 

› 

“Life Writing” – expansive genre that includes autobiography, memoir, essay, photography, documentary, video diary, blog, speech, art, etc. Trans*-identified: An umbrella term

describing those who refuse to tailor their looks and actions (their gender signifiers) to conventional categories, those who do not identify with their assigned sex (based on genitals at birth), and those who are “read” by others as a sex different from their assigned sex.

Epistemology: how we know what we know; knowledges shared by a particular culture

Questions ›  How

do cultural conceptions of gender and bodies ” inform how trans* folks narrate their lives? ›  Are dominant narratives less political? ›  How are idealized trans* narratives written on and in the body in ways that one cannot easily shed?

“Traditional” Understandings of Autobiography ›  Women’s

autobiographies are “relational” ›  Men’s autobiographies are “autonomous” ›  Trans*

autobiographies constitute a paradox or multiplicity of both

›  I

argue that these distinctions cannot account for how trans* life writers demonstrate the social through the personal and use the body to talk about the soul.

Trans* Body-Biography ›  A

method and genre that more complexly and thoroughly explains an individual’s life path, behaviors, beliefs, and experiences in relation to hir body trajectory. It connects how an individual feels about hir body to how ze relates to the world at large, other people, and socio-political systems.

Pathology of trans* identity ›  The

“patient” receives several years of therapy ›  Diagnosis of Gender Identity Disorder or Gender Dysphoria ›  Letters of Recommendation ›  Agreement to live as the “opposite” sex thereafter

“TransEuphoric”  Vlogs:  Documen7ng   Gender  Transi7ons  on  YouTube    

BODYWORK  

Bodywork    

Why  focus  on  the  body?   Susanna  Egan  argues  that  “the  body  resists  current   cultural  no@ons  that  the  self  is  cons@tuted  en@rely   in  language  and  in  text.  In  part,  some  resolu@on  of   the  body-­‐mind  dualism  results  from  a  cultural   paradigm  shiH  that  revalorizes  the  body  as  a   significant  component  of  iden@ty”  (5).   Sky's  Channel  Overview  

The  body  as  a  “situa@on,”  both  product  and  producer  of  gender  

“Stories  are  told,  and  each  of  these  expands   our  understanding  of  iden@ty  a  liSle  more   and  beSer.  Every  one  of  them—every  new   story,  every  new  word—creates  a  kind  of   opportunity  to  see  ourselves  anew.”     S.  Bear  Bergman,  The  Nearest  Exit  May  Be  Behind  You  

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