Comunicação - MUSICOLOGIA / ESTÉTICA MUSICAL
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CORRENTES INTERPRETATIVAS: O HISTORICISMO NA PRÁTICA DA MÚSICA HISTORICAMENTE INFORMADA !"#$%&'()*+,&'-.$" Universidade Federal do Paraná -
[email protected] Resumo/'0'1."#&2.3."4&'5'!4$',+.#!2$'6$'#+&2.$'+'6$'728#.3$'4!".3$,'6&'7$""$6&'"+*!)6&'$'9!$,'6+%+'+:."#.2';6+,.6$6+' &!'$!#+)#.3.6$6+')$'$' Palavras-chave/'H!".3&,&*.$'I."#B2.3$J'K+&2.$'H!".3$,J'L28#.3$"'M)#+272+#$#.%$">'
1. Historicismo e prática moderna (' $'0'72+"+)#."4&'"+2.$'P>>>9!$,9!+2' 7+2"7+3#.%$'7+,$'9!$,'!4'&Q'0!'"+V$C'&'7$""$6&' 5'.)#+272+#$6&'6+'$3&26&'3&4'#+&2.$"'2+3+)#+"C'7&2#$)#&'3&4'N+22$4+)#$"'$#!$."C')$#!2$,4+)#+'.)6."7&)R%+."' #$)#&'$&"'3&47&".#&2+"'9!$)#&'$&"'#+B2.3&"'6&'7$""$6&>'0'72&'W8'&'1."#&2.3."#$'PX>>>Y'+"#!6$'&'7$""$6&'Z+4'"+!"'72B72.&"'#+24&"[>'\!$,9!+2' 2+72+"+)#$ED&'&!'$)8,."+'6&'7$""$6&C'+4'&!#2$"'7$,$%2$"C'72+3."$'"+2'4+6.6$'7+,$"')&24$"'6&'"+!'#+47&'+')D&' 6&'72+"+)#+Q'XTI]MUK?^U?^C'_``aC'L8*>'bcY>'?')&%$4+)#+'!4'2."3&'"+'$72+"+)#$/'&'6+'!4$'P.)*+)!.6$6+Q' +4+2*.2'6+"#$'%."D&'".47,."#$'9!+'+%.6+)#+4+)#+')D&'"+'"!"#+)#$2.$'6.$)#+'6$'.47&"".>>Y')D&' Anais do XX Congresso da ANPPOM 2010
921
Comunicação - MUSICOLOGIA / ESTÉTICA MUSICAL
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+2$'$7+)$"'6&3!4+)#$ED&J'+,$"'+2$4C'3&4&'+,+"'6.G+4C'P3&4+23.$."Q>Q'XI(r^?UC'boopC'78*>'_coY>'0'2B#!,&'6$' $!#+)#.3.6$6+'#+2.$C'4!.#$"'%+G+"C'N!*.6&'O"'6+3."F+"'6&"'72B72.&"'4S".3&"'+'2+)6.6&A"+'O"'%&)#$6+"'3&4+23.$."' 6+' *2$%$6&2$"' 9!+' 9!+2.$4' $)#+"' +:7,&2$2' $' )&%.6$6+' 9!+' $#+)#$2A"+' O' +%&,!ED&' 6+' !4$' %."D&' 9!+'
3. A possibilidade não-historicista da prática histórica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nais do XX Congresso da ANPPOM 2010
922
Comunicação - MUSICOLOGIA / ESTÉTICA MUSICAL
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("' 9!+"#F+"' "&'0'6.8,&*&'4!".3$,'u'H&)#+%+26.C'm$31'+'H&G$2#>'].&'6+'W$)+.2&/'W&2*+'v$1$2' ?6.#&2C'_``a> I(]^0^T0d]KC'^.j&,$!">'0'6."3!2"&'6&"'"&)"'A'3$4.)1&"'7$2$'!4$')&%$'3&472++)"D&'4!".3$,>'].&'6+' W$)+.2&/'W&2*+'v$1$2'?6.#&2C'_`ll> I(r^?UC' m2!3+>' K1+' ?)6' &N' ?$2,n' H!".3' u' (' L+2.&6' L+2N&24+2["' I."#&2n' &N' H!".3' N&2' #1+' Kw+)#nAx.2"#' T+)#!2n>'^+w'r&2j/'0:N&26'd).%+2".#n'L2+""C'boop>
Anais do XX Congresso da ANPPOM 2010
923
