CURVELO, Alexandra, Obras-primas dos Biombos Nanban. Portugal-Japão século XVII. Chefs-D\'Œuvre des Paravents Nanban. Nanban Folding Screen Masterpieces. Japan-Portugal XVIIth Century. Paris: Éditions Chandeigne, 2015.

June 22, 2017 | Autor: Alexandra Curvelo | Categoria: Japanese Art, Japan and Portugal, Japanese Folding Screen, Nanban Art, Nanban Culture
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Alexandra Curvelo

LARGE-FORMAT COLLECTION

Les fables de La Fontaine du monastère de Saint-Vincent à Lisbonne Le palais de Santos L’Ambassade de France à Lisbonne

Between 1543 – when Europeans arrived in Japan – and the 1640s, when the country was closed to foreigners, the Japanese had regular contact with the nanban-jin (« b arbarians from the South » ). These merchants and missionaries, mainly from Portugal, were the source of a theme of Japanese art in the xvith and xvii th centuries. The paintings that decorated the nanban byōbu (folding screens) depicted an extraordinary confrontation of civilizations and their beauty is captivating. Through paintings primarily done by the Kanō school, the history of the Portuguese arrival in Japan unfolds before our eyes. Sometimes critical, sometimes festive and joyful, the byōbu reveal the beginnings of Asia’s Westernization. Nanban Folding Screens Masterpieces presents thirteen of these byōbu accompanied by text about the fascinating history of the commercial, religious and cultural encounters between Europe and Japan in this era. This book brings together folding screens from the Nanban Bunkakan Museum of Osaka, Municipal Museum of Kobe and Museu Nacional de Arte Antiga in Lisbon – where the most important collections of nanban art are found – as well as the Victoria & Albert Museum in London, the Rijksmuseum in Amsterdam, Musée Guimet in Paris, Museu de Soares dos Reis in Porto, the Museum of the History and Culture of Nagasaki, the Idemitsu Museum in Tokyo, as well as a folding screen from an American private collection.

Voyage dans le Pacifique (1815-1818) Illustrations & texte intégral de Louis Choris Georges Cuvier & Aldebert de Chamisso Rio de Janeiro, la ville métisse Illustrations & commentaires de Jean-Baptiste Debret Les Indiens du Brésil Illustrations & commentaires de Jean-Baptiste Debret Le comte de Clarac et la Forêt vierge du Brésil Pedro Corrêa do Lago & Louis Frank L’Aleijadinho Le maître du baroque brésilien Modernités Photographie brésilienne (1940-1964)

Nanban Folding Screens

Azulejos Chefs-d’œuvre du musée national de l’Azulejo à Lisbonne

La découverte du Japon par les Européens (1543-1552) édition de Xavier de Castro, préface de Rui Loureiro

Européens et Japonais Traité sur les contradictions & différences de mœurs (1585) Texte de Luís Fróis Préface de Claude Lévi-Strauss, traduction de Xavier de Castro

La supercherie dévoilée Une réfutation du catholicisme au Japon au

siècle

Le puissant royaume du Japon La description de François Caron (1636) Traduction, introduction & notes de Jacques et Marianne Proust

NANBAN

Naufrage & tribulations d’un Japonais dans la Russie de Catherine II (1782-1792) Postface de Jacques Proust, traduction, introduction & notes de Gérard Siary

FOLDING SCREENS

Chefs-d’œuvre des paravents nanban Japon-Portugal xviie siècle

MASTERPIECES

Obras-primas dos biombos nanban Japão-Portugal século xvii

japan - portugal xvii th century

Alexandra Curvelo forthcoming

Les chrétiens cachés du Japon Gérard Siary

Les panneaux d’azulejos du salon Pompéia à Lisbonne

L’art du thé au Japon João Rodrigues Tçuzu

Lisbonne avant le Tremblement de Terre Le panneau du musée national de l’Azulejo à Lisbonne

editions chandeigne

35 €

xviie

Édition de Jacques Proust, préface de Gérard Siary

A specialist in Nanban art, Alexandra Curvelo is a professor in the Department of Art History at the Universidade Nova de Lisboa. Her research focuses on the Christian mission in Japan in the early modern period.

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JAPAN in Chandeigne

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10 rue Tournefort - 75005 Paris www.editionschandeigne.fr

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