Festa em Jean Duvignaud e o Teatro de Augusto Boal
Descrição do Produto
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que podem ser essas quase festas? Duvignaud fala delas como “um ato que destaca, por um JLJBKQL LBPMB@Q>ALOA>@LKCRP\LA>SFA>AB@>A>AF> :>NR>KALABPP>PNR>PBCBPQ>P;L ELJBJ PB BKOFNRB@B A>P FIRPgBP NRB BIB M>OQFIE> A>P RQLMF>P NRB LP ABPSF>J AB PR> condição” (1991: 247).
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QO>KNRFIFWB J>PRJABPBNRFIb?OFLNRBSFP>>RJAFK>JFPJL@LIBQFSL. “É nesse senso que PB MLAB AFWBO NRB > @>Q>OPB AL QB>QOL AL LMOFJFAL ^ MROFCF@>ALO> BI> KLP MROFCF@> AB KLPPLP ?ILNRBFLP B QLOK> J>FP I>ODLP LP @>JFKELP AB QO>SBPPF> NRB NRBOBJLP QLJ>O M>O> QO>KPCLOJ>OKLPsas vidas” (Boal, 2002).
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1BCBO`K@F>P?F?IFLDOYCF@>P !L>I RDRPQL )BRUMLRO>@QBROPBQKLK>@QBROP />OFP +>A^@LRSBOQB,>PMBOL !L>I RDRPQL +>O@ BK @FBIARA^PFO ARQE^[QOBBUM^OFJBKQ>IZI>QE^O>MFB />OFP +> #^@LRSBOQB !L>I RDRPQL +B3E^[QOBABILMMOFJ^ />OFP +>A^@LRSBOQB #ROHEBFJ XJFIB +BPCLOJBP^I^JBKQ>FOBPABI>SFBOBIFDFBRPB />OFP /RC #RSFDK>RA )B>K %`QBPBQ@FSFIFP>QFLK OIBP @QBPPRA Duvignaud, Jean. L’anomie, hérésie et subversion. 1973, Paris, Anthropos. #RSFDK>RA )B>K +BALKAROFBKBPP>FA>KQEOLMLILDFBABI>C`QB />OFP /ILK #RSFDK>RA )B>K +BQE^[QOBBQ>MO_P />OFP ">PQBOJ>K #RSFDK>RA )B>K +BPLJ?OBP@LIIB@QFSBPPL@FLILDFBARQE^[QOB />OFP /RC #RSFDK>RA )B>K ,>O^B?>PPB />OFP &>IIFJ>OA #RSFDK>RA )B>K /LRORKB>RQOB^MFPQ^JLILDFBABIFJ>DFK>FOB "O>@LSFB 3BPPPBO> #RSFDK>RA )B>K 2MB@Q>@IB BQ PL@F^Q^ AR QE^[QOB DOB@ >R E>MMBKFKD I> CLK@QFLK FJ>DFK>FOBA>KPIBPPL@F^Q^P />OFP #BKLaI $JJ>KRBI $QEFP%>?F>KF )B>K +LRFPBQ,>IFK>P #>JFBK SFDKLKLRIBMR?IF@M>OQF@FM>KQ RKBPL@FLILDFBARPMB@Q>QBROO^FKSBKQ^ +$KQOBQBJMP %LKA#RSFDK>RA #ROHEBFJ@LKQOBIBAROHEBFJFPJB ,>KRP@OFQ#5& O@EFSB(,$" Fond Duvignaud, La fête aujourd’hui, Manuscrit DVG. O@EFSB(,$"
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