DRAMATIC ARCHITECTURES places of drama -‐ drama for places conference proceedings Edited by Jorge Palinhos and Maria Helena Maia CEAA| Centro de Estudos Arnaldo Araújo (uID 4041 da FCT) Escola Superior Artística do Porto (ESAP), Porto, Portugal Title:
DRAMATIC ARCHITECTURES. places of drama -‐ drama for places Conference Proceedings Editors: Jorge Palinhos & Maria Helena Maia´ © authors and CESAP/ESAP/CEAA, 2014 Typesetting: Joana Couto Cover Design: O Homem do Saco Edition: Centro de Estudos Arnaldo Araújo CESAP/ESAP Impressão e acabamento: Centro de Estudos Arnaldo Araújo da CESAP/ESAP Porto, Portugal 1ª edição, Porto, Novembro de 2014 Tiragem: 200 exemplares ISBN: 978-‐972-‐8784-‐60-‐7 The authors of the texts have the exclusive responsibility of image copyrights printed in the correspondent texts. The editors not take any responsibility for any improper use of images and any consequences following. Project ESAP Dramatic Architectures ESAP/2013/P08/TRV CEAA | Centro de Estudos Arnaldo Araújo Escola Superior Artística do Porto Largo de S. Domingos, 80 4050-‐545 PORTO – PORTUGAL Telef: 223392130 / Fax: 223392135 e-‐mail:
[email protected] www.ceaa.pt DRAMATIC ARCHITECTURES places of drama -‐ drama for places
Organization: Project Dramatic Architectures ESAP/2013/P08/TRV Architectural Studies Research Group CEAA| Centro de Estudos Arnaldo Araújo (uID 4041 da FCT) Escola Superior Artística do Porto (ESAP), Porto, Portugal Porto: ESAP, November 3rd -‐5th, 2014 DRAMATIC ARCHITECTURES places of drama -‐ drama for places Architecture and theatre have had a close connection throughout time, but this connection, and the ways these two art forms intertwine through multiple dimensions, is still an undeveloped field of study, highly promising for both arts as a way of apprehending and transforming space. With this Conference, we invite Portuguese and international scholars and artists to contribute to the development of knowledge in this field, mainly furthering the understanding of the use of architectonic spaces by theatre and performance, the use of buildings as performing spaces and the adaptation of previous theatre venues to contemporary practices of performing arts. Papers about how architecture can be dramatized, and how one can build dramaturgies about specific sites will be welcome. But we are also interested in creating a theoretical framework based on common ground between architecture and performing arts, like the problems of space and the use of light as a projectual device, besides case studies and interpretations of architectural, dramatic, performative experiences. Contents Dramatic Architectures. Places of drama – drama for places Keynote adresses CAPELA, José – 2D, 3D and other D's /p. 11 DEHLHOLM, Kirsten – Architecture plays the main role in theatre / p. 25
RUFFORD, Juliet – Theatre and Architecture: A Place Between / p. 26 Papers HANNAH, Dorita – Event-‐Space: absolute, abstract & abject models for performance / p. 43 FRANQUEIRA, Sara Cristina Serras – The contemporary stage as an inland architecture / p. 57 ZEKOVIC, Miljana – Liminal space in art: the (in)security of our own vision / p. 70 CARVALHO, Inês de & Deidre Denise MATTHEE – Other lives and times in the Palace of Memory: an audio-‐walk carved through walls and shadows / p. 83 MYGDALI, Stella – Hold me gently: trust and intimacy in site-‐specific performative artworks by Lundahl & Seitl / p. 99 CARNEIRO, Maria – A house as space and memory: a case-‐study of Teatro do Vestido’s performance “Até Comprava o Teu Amor” / p. 112 DIEZ-‐PASTOR Iribas, Concepcion – Architecture: the quest for the control of light / p. 125 NIETO Sanchez, Maria – Canteras de luz. El legado de Josef Svoboda [Quarries of light. The legacy of Josef Svoboda] / p. 142 O'HARE, Niall – Light in architectural space / p. 154 KYLIKA, Aliki– Dramatized urbanism; Performance Cities / p. 164 NOWAK, Lukasz – The city of Nowa Huta: theatricalization of space / p.179 PALINHOS, Jorge – Space and performance: researching place and gesture in real settings / p. 191 GONZALEZ CUBERO, Josefina – Photographs of the theatre that could
not be. Maruja Mallo´s stage designs / p. 203 SÁ, Luiz Henrique da Silva – Scenographic panoramic dispositif: visual-‐spatial immersion / p. 221 GONZÁLEZ REYES, Amaya – El papel de la arquitectura en las escenografías de Mala Voadora [The role of architecture in scenography of Mala Voadora] / p. 233 CARNEIRO, Luís Soares – The TNDMII before and after the fire of 1964 / p. 244 MAO, Edgar Yuanbo – The Rose in 1592: architectural evolution of playhouses in late Sixteenth Century London / p. 260 UMIT, Nazli – An imperial stage: performing arts at the Hippodrome of Constantinople / p. 261 CANNATÀ, Michele – Lo spazio scenico come laboratorio dello spazio architettonico contemporaneo [The scenic space as a laboratory of the contemporary architectural space] / p. 272 SÁ, Daniela – Drama and Project: The Little Scientific Theatre of Aldo Rossi / p. 287 GUIMARÃES, José Luís – Experimental Architecture “in Drama” -‐ “The creative laboratory” / p. 300 MITROVIC, Jelena – Porosity of space: accumulation and reflection of meanings introduced by event / p.310 ŽUGIĆ, Višnja – The concept of space performativity: critical analyses / p. 325 PERIĆ, Vladan – Dramaturgy of space: establishing ephemeral chronotope in Architecture / p. 337 MERINO, Roberto – Encenadores à procura de um espaço teatral [Directors looking for a theatrical
space] / p. 349 NETO, Edvard Passos de Santana – Compadre de Ogum: a theatre play based on Jorge Amado's novel in dialogue with a historical building in the city of Salvador / p. 365 CSANADI, Judit – Dramatic architecture: places for drama / p. 384 ROSSINI, Elcio – Espaços transitórios [Transitional spaces] / p. 400 BARROS, Isabel – Corpo + Cidade [Body + City] / p. 412 OSTAJEWSKA, Marta – Performative street’s tales in the context of phenomenology of space (sitespecific dance and performance art) / p. 413 RIZZO, Laura Katz – The architecture of space as embodied in neoclassical dance choreography: the work of George Balanchine captured through the camera lens of Paul Kolnik / p. 426 FIGUEIREDO, Rosa Branca – The place of drama in ritual African theatre / p. 441 GOUDOUNA, Sozita – Marina Abramovic's Seven Deaths: Antiquity as a performing space / p. 451 KAKALIS, Christos – Narrating the spatiality of silence: drawing from the silence of Samuel Beckett and Andrei Tarkovsky / p. 466 BRAASCH, Cathy – Spaces for creative production: experimental theatre, adaptive re-‐use, and institutional identity / p. 478 NADOLNY, Adam & Barbara SWIT-‐JANKOWSKA – Theatre space in Polish films of the 1960s. Records of designing concepts and theoretical discourse / p. 491 LOURO, Gonçalo – Theatre spaces in Portugal: building, adapting, experimenting / p. 505 TREVISAN, Alexandra – A traveling theatre / p. 522
ORGANIZATION / p. 535
