MOVIMENTOS E IMPERMANÊNCIAS: REFLEXÕES PARA UMA MUSICOLOGIA CRIATIVA, FEMINISTA E DECOLONIAL

May 23, 2017 | Autor: Isabel Nogueira | Categoria: Musicology, Music and Gender
Share Embed


Descrição do Produto

Menu

MOVIMENTOS E IMPERMANÊNCIAS: REFLEXÕES PARA UMA MUSICOLOGIA CRIATIVA, FEMINISTA E DECOLONIAL1 Isabel Nogueira (Universidade Federal do Rio Grande do Sul) Resumo:$SDUWLUGDVUHÀH[}HVVREUHJrQHURDWUDYpVGHGRFXPHQWRVLFRQRJUi¿FRVHPXVLFROyJLFRVHVWHWUDEDOKREXVFD WUD]HU XP ROKDU FUtWLFR VREUH D SURGXomR GH FRQKHFLPHQWR HP P~VLFD$ DQiOLVH GH LPDJHQV GH PXOKHUHV FRP IRFR SULQFLSDOPHQWH QD P~VLFD GH FRQFHUWR WHP UHYHODGR XP JUDQGH Q~PHUR GH PXVLFLVWDV LQYLVLELOL]DGDV QDV QDUUDWLYDV KLVWyULFDV DSRQWDQGR SDUD D FRQFHSomR GH XPD KLVWyULD KHJHP{QLFD H FHQWUDGD HP SHUVRQDJHQV PDVFXOLQRV EUDQFRV HXURSHXV H QRUWHDPHULFDQRV (VWD GLVFXVVmR LQVHUHVH QR PDUFR GDV UHÀH[}HV IHPLQLVWDV H TXHHU SyVFRORQLDLV TXH FRQVLGHUDPJrQHURUDoDHHWQLDFRPRPDUFDGRUHVVRFLDLVGDGLIHUHQoD5HODFLRQDQGRFRQKHFLPHQWRVLWXDGROXJDUGHIDOD HOXJDUGHHVFXWDRWUDEDOKREXVFDGLVFXWLURVHQWUHODoDPHQWRVHQWUHPXVLFRORJLDFULDomRVRQRUDHSHUIRUPDQFHDSDUWLU GRFRQFHLWRGHLGHQWLGDGHVQ{PDGHVUHODFLRQDQGRYR]HVFXWDVHXVORRSVGHVHQWLGRHWUDQVIRUPDo}HV

0RYHPHQWVDQGLPSHUPDQHQFHVDUHÀHFWLRQWRZDUGVDFUHDWLYHIHPLQLVWDQGSRVWFRORQLDOPXVLFRORJ\ Abstract: )URP UHÀHFWLRQV RQ JHQGHU WKURXJK LFRQRJUDSKLF DQG PXVLFRORJLFDO GRFXPHQWV WKLV VWXG\ DLPV WR EULQJ D FULWLFDOORRNDWWKHSURGXFWLRQRINQRZOHGJHLQPXVLF$QDO\]LQJLPDJHVRIZRPHQIRFXVLQJPDLQO\RQFRQFHUWPXVLF LWKDVUHYHDOHGDODUJHQXPEHURIPXVLFLDQVZKRDUHLQYLVLELOL]HGLQKLVWRULFDOQDUUDWLYHVSRLQWLQJWRWKHFRQFHSWRID KHJHPRQLF KLVWRU\ FHQWHUHG RQ PDOH ZKLWH (XURSHDQ DQG 1RUWK$PHULFDQ FKDUDFWHUV7KH GLVFXVVLRQ KHUH LV SDUW RI WKHIUDPHZRUNRIIHPLQLVWDQGTXHHUSRVWFRORQLDOUHÀHFWLRQVWKDWFRQVLGHUJHQGHUUDFHDQGHWKQLFLW\DVVRFLDOPDUNHUV 5HODWLQJ VLWXDWHG NQRZOHGJH VSHDNLQJ SODFH DQG OLVWHQLQJ SODFH WKH ZRUN DLPV WR GLVFXVV WKH HQWDQJOHPHQWV DPRQJ PXVLFRORJ\ VRXQG FUHDWLRQ DQG SHUIRUPDQFH IURP WKH FRQFHSW RI QRPDG LGHQWLWLHV OLQNLQJ YRLFH OLVWHQLQJ ORRSV RI PHDQLQJDQGWKHLUWUDQVIRUPDWLRQV

INTRODUÇÃO Voz, espaço, silêncio, escuta. 3UHVHQoDPHVPRQRYD]LR 5HVVRQkQFLDVTXHLQYDGHP 3RYRDPGHGHVHMRVLQFRQIHVVRVRQHPSHQVDGR *ULWDPHFRDQGRHPVHXVFRUSRVHHPFRUSRVDOKHLRV

3HQVDUVREUHDDXVrQFLDGDVPXOKHUHVQRPXQGRPXVLFDOVHMDQDLQVWkQFLDTXHIRUpXP VLOrQFLRTXHUHYHUEHUDTXHJULWDHGHL[DSHUFHEHUDVQRUPDOL]Do}HVHHOHPHQWRVSUpFRQFHELGRVTXH DWXDPVREXPDDXUDGHVXSRVWDQHXWUDOLGDGH 0DVVHRFDPSRPXVLFDOpDRPHVPRWHPSRYLVWRHHQWHQGLGRFRPRQRUPDORXQRUPDOL]DGR FRPRSHUWHQFHQWHDXPWHUULWyULRPDVFXOLQRSRUH[FHOrQFLDHOHWDPEpPpFKHLRGHPXOKHUHVFXMD DWXDomRVHFDUDFWHUL]DSHODDXVrQFLDGHSURWDJRQLVPRVSRUYRQWDGHRXSUHVVmRHFXMDH[LVWrQFLDp DWUDYHVVDGDSRUVLJQL¿FDo}HVQHPVHPSUHLQFOXVLYDVPDVTXHQmRVmR~QLFDVHPXLWRPHQRVOLQHDUHV WDQWRQDVWUDMHWyULDVLQGLYLGXDLVFRPRFROHWLYDV (PRXWURVPRPHQWRVHRXWURVWH[WRVXWLOL]HLDLGHLDGHPRVDLFRRXUHÀH[RVP~OWLSORVSDUD HVWHVHVSHOKDPHQWRVRQGHRID]HUPXVLFDOIHPLQLQRVHUHÀHWHHVHDUWLFXOD 2TXHHYRFRVmRLPDJHQVPXOWLIDFHWDGDVHHPWUDQVIRUPDomRGUXVDVHDOTXLPLVWDVYR]HV P~OWLSODVKLEULGDVHPHVWLoDV  (VWHWUDEDOKRIRLDSUHVHQWDGRFRPRFRQIHUrQFLDQR9,6LPSyVLR,QWHUQDFLRQDOGH0XVLFRORJLDGH-XL]GH)RUDHP MXQKRGH 1

Mesas Redondas - Textos

85

Menu +RMHDTXLIDoRXPH[HUFtFLRGHDUWLFXODomRGDSDODYUDVRQRUDPHQWHKDELWDGDSDUDSRQWXDU HID]HUFRQWUDSRQWRVFRPRVFRQWH~GRVWHyULFRUHÀH[LYRVTXHWUDJREHOOKRRNVH*ORULD$Q]DOGXD SRQWXDPFRPRXPGRVHOHPHQWRVGDVHSLVWHPRORJLDVIHPLQLVWDVRFRQFHLWRGDPLVWXUDHH[SORUDomR GDVSRVVLELOLGDGHVGDHVFULWDXWLOL]DQGRSRHVLDUHODWRVSHVVRDLVHVFULWDOLYUHHFRQWH~GRUHÀH[LYRGH IRUPDFRPELQDGDSRQWXDQGRDHVFULWDFRPRXPDHVFROKDFULDWLYD %XVFRWUD]HUXPDIDODUHÀH[LYDDQFRUDGDQDVFRQVLGHUDo}HVPXVLFROyJLFDVPDVEXVFR XPD IDOD TXH VHMD WDPEpP SRpWLFD H FULDWLYD XPD IDODSHUIRUPDQFH TXH p VRP QR DWR PHVPR GH H[LVWLUJHUDGRDSDUWLUGHXPDHVFXWDGHXPOXJDUGHIDODGDFRQGXomRGHXPHVSDoRDSDUWLUGHPHX FRQKHFLPHQWRVLWXDGR 0HXOXJDUGHIDODpGHXPDPXOKHUEUDQFDGHFODVVHPpGLDGRVXOGR%UDVLOTXHWHYH VHXSULPHLURFRQWDWRFRPRHQVLQRIRUPDOGHP~VLFDDWUDYpVGRSLDQRHFRPHoRXDHVFUHYHUFRQWRVH SRHVLDVGHVGHRVRLWRDQRVGHLGDGH'XUDQWHRVYiULRVDQRVGHHVWXGRGHSLDQRHPPHLRDFRQFHUWRV HFRQFXUVRVPHGHSDUHLFRPDIDODGDVPLQKDVSURIHVVRUDVREVHUYDQGRTXHPHXGHVHMRGHFRQKHFHU PDLVVREUHFRPSRVLWRUHVHREUDVVDEHUVHXFRQWH[WRPRWLYDo}HVHDXVrQFLDVQmRHUDPSUHRFXSDo}HV para uma pianista. 3URFXUHL HQWmR R GRXWRUDGR HP PXVLFRORJLD RQGH VHJXQGR PH GLVVHUDP HUD XP OXJDU PDLV DGHTXDGR SDUD TXHP VH SUHRFXSDYD HP IRUPXODU SHUJXQWDV VREUH DV TXHVW}HV TXH PH LQWHUHVVDYDP 1R HQWDQWR GHVFREUL DR H[SHULHQFLDU QRYDPHQWH GH OXJDUHV H ROKDUHV WRUFLGRV TXH PXVLFRORJLDQmRHUDXPOXJDURQGHVHSXGHVVHID]HUP~VLFDLVVRHUDSDUDRVTXHQmRWLQKDPWRGR RVHXWHPSRRFXSDGRIRUPXODQGRSHUJXQWDV QmRSUHWHQGRWHFHUFRQVLGHUDo}HVJHQHUDOL]DQWHVVREUH DV UHODo}HV SHUIRUPDQFHPXVLFRORJLD WUDJR PLQKDV H[SHULrQFLDV TXH MXVWDPHQWH SRU VHU SDUWH GH PLQKDVYLYrQFLDVSRVVDPWDOYH]FRQWULEXLUFRPRXWUDVSHVVRDV  )XL SHUFHEHQGR QHVWDV VHJPHQWDo}HV QDWXUDOL]DGDV GRV OXJDUHV H FDPSRV GR ID]HU PXVLFDOTXHDFRQTXLVWDGHVWHOXJDUKLEULGRTXHHXGHVHMDYDSRGLDVHUTXDOTXHUFRLVDPHQRVVLPSOHV $QWHVDLQGDGHVHMHLWRFDUP~VLFDSRSXODUDRSLDQRHRXYLTXHHVWHWLSRGHP~VLFDHVWUDJDYDDPmR 4XLV FDQWDU H RXYL GD SURIHVVRUD TXH QmR WLQKD YR] 3DUHFH EHP WULVWH H QD pSRFD IRL$OpP GH desestimulante e limitador. 0DV GHFLGL TXH FDQWDULD HP FRUDLV H SDUWLFLSDULD GH JUXSRV GH P~VLFD UHQDVFHQWLVWD H PHGLHYDO([SHULPHQWHLXPID]HUPXVLFDOYRFDOHPJUXSRHVRPHQWHGHSRLVGHYiULRVDQRVPHSHUPLWL FDQWDUVR]LQKDHHVFROKLFDQWDUP~VLFDSRSXODUDSUHQGHQGRQRYDPHQWHFRPDH[SHULrQFLDGRFDQWR GDYLYrQFLDHPJUXSRGRXVRGHPLFURIRQHVHPVKRZVGDJUDYDomRHPL[DJHPHPHVW~GLR1HVWH HQWUHWHPSRWLYHGRLV¿OKRVPH¿]SURIHVVRUDDWXHLGXUDQWHTXLQ]HDQRVQD8QLYHUVLGDGH)HGHUDOGH 3HORWDVGHQWUHHVWHVGH]DQRVFRPRGLUHWRUDGR&RQVHUYDWyULRGH0~VLFDGHVWDLQVWLWXLomRPDVMi IDODUHLGLVWRORJRDGLDQWH 0HSHUPLWRHEXVFRHVWDFRVWXUDPHPRULDOHQWUHRVIUDJPHQWRVSRpWLFRVHDQWHVGDV UHIOH[}HVWHyULFDVMXVWDPHQWHFRPEDVHQDFRQVLGHUDomRGH0DUJDUHWK5DJRVHJXQGRDTXDODV HSLVWHPRORJLDVIHPLQLVWDVSUHWHQGHPQmRDSHQDVDLQFOXVmRGDVUHODo}HVGHJrQHURQDOHLWXUD GDV VRFLHGDGHV PDV R TXHVWLRQDPHQWR GR SUySULR SURFHVVR GH SURGXomR GH FRQKHFLPHQWR FRQVWUXtGRDSDUWLUGHUHODo}HVGHSRGHUSULYLOHJLDQGRRVSURFHVVRVUDFLRQDLVHPGHWULPHQWRGD VXEMHWLYLGDGHFRQVLGHUDQGRDOJXQVSURWDJRQLVWDVDPELHQWHVHGRFXPHQWRVFRPRPDLVYiOLGRV GRTXHRXWURV Mesas Redondas - Textos

86

Menu 2HQWHQGLPHQWRGRVHVWXGRVGHJrQHURFRPRXPDOHQWHSDUDYHURPXQGRHQmRDSHQDV FRPRWHPDVDVHUHPUHVJDWDGRVSDVVDSHODLQFOXVmRGHQRYDVIRUPDVGHSURGXomRGHFRQKHFLPHQWRD SDUWLUGDFRPSUHHQVmRGRVOXJDUHVGHIDODHQWHQGHQGRRFRQKHFLPHQWRWHyULFRFRPRSURIXQGDPHQWH OLJDGRjSUDWLFDHEHOOKRRNVGHVWDFDDUHFLSURFLGDGHGHVWHSURFHVVRRQGHWHRULDHSUDWLFDFDSDFLWDP se uma à outra. 1HVWH VHQWLGR WHQKR EXVFDGR GHVHQYROYHU XP WH[WR KtEULGR TXH WUDJD QHOH PHVPR R PRVDLFRGHUHSUHVHQWDo}HVTXHDOLPHQWDPPLQKDWUDMHWyULDVXDVLGDVHYLQGDVVHXVFDPLQKRVQHP VHPSUHOLQHDUHVHFRPHOHVDVUHGHVRVDFROKLPHQWRVHDVWURFDV 0RYLPHQWRVHLPSHUPDQrQFLDVQDVFRVWXUDVGHVWDEXVFDSHORVOXJDUHVGHIDOD

OUTRAS COSTURAS 3DUWLQGRSDUDXPDFRQYHUVDPDLVGLUHWDVREUHRTXHPHWUD]DTXLKRMHREVHUYRTXHHVWH WUDEDOKR TXH DSUHVHQWR YHP GDV FRQYHUVDV HQWUHODoDPHQWRV H UHÀH[}HV TXH YHQKR GHVHQYROYHQGR GHVGHTXDQGRFRPHFHLDWUDEDOKDUFRPRPDWHULDOGRDFHUYRGR&RQVHUYDWyULRGH0~VLFDGH 3HORWDVSDUDFRQVWUXLUPLQKDWHVHGHGRXWRUDGRHPPXVLFRORJLD 7HRULDVHHVWUDQKDPHQWRV±(VWXGRVGHJrQHURDSDUWLUGHGRFXPHQWRVPXVLFROyJLFRV 0LQKD DWLYLGDGH GH SHVTXLVD LQLFLRXVH FRP R DFHUYR GR &RQVHUYDWyULR GH 0~VLFD GD 8QLYHUVLGDGH )HGHUDO GH 3HORWDV DERUGDQGR GRFXPHQWRV QmR FRQYHQFLRQDLV H GHVHQYROYHQGR WUDEDOKRVTXHQmRXVDYDPSDUWLWXUDVFRPRVXDIRQWHSULQFLSDO %XVFDQGR UHFRQKHFHU DV FDUDFWHUtVWLFDV GR DFHUYR H WUDEDOKDU D SDUWLU GR TXH HOH PH SURSRUFLRQDYDIRTXHLPHXVHVWXGRVHPSURJUDPDVGHFRQFHUWROLYURVGHPDWULFXODVGHDOXQRViOEXQV GHUHFRUWHVGHMRUQDOVREUHFRQFHUWRVHHYHQWRVHIRWRJUD¿DVGHDOXQRVSURIHVVRUHVHLQWpUSUHWHVTXH estiveram realizando concertos nesta escola. $DWXDomRKLEULGDGHHVFRODGHP~VLFDHVDODGHFRQFHUWRVFRQ¿JXURXDWUDMHWyULDGHVWD LQVWLWXLomRDVVLPFRPRVXDVHVFROKDVPHPRULDLV &RPSUHHQGL HQWmR TXH D GRFXPHQWDomR DOL SUHVHQWH HUD D TXH KDYLD VLGR FRQVLGHUDGD FRPRLPSRUWDQWHSDUDDPHPyULDGHVWDLQVWLWXLomRSHODVSHVVRDV±IXQFLRQiULRVHSURIHVVRUHVTXH FRQVHUYDUDPHRUJDQL]DUDPRDFHUYRDQWHVGHPLP(QWHQGLHVWHDFHUYRFRPRIUXWRGRTXHDVSHVVRDV TXH¿]HUDPDLQVWLWXLomRTXLVHUDPTXHIRVVHPDQWLGRDOLDIRUPDFRPRGHVHMDUDPTXHDLQVWLWXLomR IRVVHOLGDHSHUFHELGD6HQmRKDYLDPDSHQDVSDUWLWXUDVQmRVHULDDSHQDVSDUWLWXUDVRREMHWRGRPHX HVWXGRPHXIRFRVHULDPDVIRWRJUD¿DVRVSURJUDPDVGHFRQFHUWRRVOLYURVGHPDWULFXODVRVUHFRUWHV GH MRUQDO SHQVHL TXH SHUFHEHU R GHOLQHDPHQWR GR DFHUYR D SDUWLU GDV FDUDFWHUtVWLFDV H GDGRV GRV documentos ali presentes seriam meu ponto de partida. &DEHUHIHULUTXHDQWHVGHRUJDQL]DURTXHHPFKDPHLGH&HQWURGH'RFXPHQWDomR 0XVLFDO GD 8QLYHUVLGDGH )HGHUDO GH 3HORWDV SURMHWR TXH PRQWHL MXQWR FRP R SURIHVVRU 0DUFHOR &D]DUUpSDUDRUJDQL]DUHVWDGRFXPHQWDomRRPDWHULDOHVWDYDFRPRPHGLVVHXPGLDDIXQFLRQiULD DFRQGLFLRQDGDHPVDFRVSUHWRVQDSUDWHOHLUDGHEDL[RGRDUPiULRGDOLPSH]D³SRGHLUOiSURIHVVRUD GHUHSHQWHWHPDOJXPDFRLVDTXHSRVVDVHULQWHUHVVDQWHQRPHLRGDTXHOHPRQWHGHSDSHOYHOKR´GLVVH dona Marli. Mesas Redondas - Textos

87

Menu ,QWHUHVVDQWH TXH VLP GDTXHOH PRQWH GH SDSHO YHOKR VDtUDP QmR DSHQDV RV HVWXGRV VREUH DV PDWULFXODV GH DOXQRV H DOXQDV RV HVWXGRV VREUH SURJUDPDV GH FRQFHUWR GH SLDQLVWDV H RV HVWXGRVLFRQRJUi¿FRVVREUHIRWRJUD¿DVGHLQWpUSUHWHVPDVWDPEpPRSODQHMDPHQWRGHXP&XUVRGH %DFKDUHODGRHP&LrQFLDV0XVLFDLVMXQWRFRPRFROHJD*XLOKHUPH*ROGEHUJTXHVHHQFRQWUDKRMH WDPEpPQHVWHFRQJUHVVR +RMHR&HQWURGH'RFXPHQWDomRVHFKDPD/DERUDWyULRGH&LrQFLDV0XVLFDLVHIXQFLRQD MXQWRDRFXUVRGHPHVPRQRPHFRQ¿JXUDQGRVHFRPROXJDUGHWUDEDOKRDSUHQGL]DGRSHVTXLVDH SUiWLFDSDUDDOXQRVSURIHVVRUHVSHVTXLVDGRUHVHFRPXQLGDGH (PVHWUDWDQGRGRVHVWXGRVPXVLFROyJLFRVROHYDQWDPHQWRTXHUHDOL]HLVREUHDVPDWULFXODV GHDOXQRVHDOXQDVGR&RQVHUYDWyULRGH0~VLFDGH3HORWDVQRSHUtRGRGHjPHOHYRXD SHUFHEHUDHQRUPHSUHVHQoDGHDOXQDVSULQFLSDOPHQWHQRVFXUVRVGHSLDQRHFDQWRID]HQGRFRPTXH DSUHVHQoDIHPLQLQDIRVVHXPFRQWLQJHQWHVLJQL¿FDWLYRQDHVFROD $ SUiWLFD GR SLDQR H GR FDQWR LQVHULDVH PXLWR EHP QD FRQFHSomR SRVLWLYLVWD RQGH D PXOKHUHUDYLVWDFRPRDSULPHLUDIRUPDGRUDGRV¿OKRVUHVSRQViYHOSRUVXDEDVHPRUDOHDP~VLFD HUDFRQVLGHUDGDXPDGDVTXDOLGDGHVHVVHQFLDLVGDERDHGXFDomRIHPLQLQD 'HVWDIRUPDDVPXOKHUHVEXVFDYDPHGXFDomRPXVLFDOSRUPHLRGHSURIHVVRUHVSDUWLFXODUHV PHVPRDQWHVGDFULDomRGR&RQVHUYDWyULRGH0~VLFDGDFLGDGHGH3HORWDVSURFHVVRTXHDFRQWHFHX WDPEpPHPGLYHUVDVRXWUDVFLGDGHVEUDVLOHLUDVRQGHHVWDSUiWLFDVLJQL¿FDYDHQWUHRXWUDVFRLVDVD SRVVLELOLGDGHGHHTXLSDUDomRDSDGU}HVHXURSHXVGHFLYLOLGDGHHERDHGXFDomR 1RHQWDQWRDSUiWLFDPXVLFDOHUDFRQVLGHUDGDDGHTXDGDSDUDDIRUPDomRGDPXOKHUVH IRVVHGHVHQYROYLGDGHQWURGRDPELHQWHGRPpVWLFRHYLQFXODGDDXPUHSHUWyULRFRQVLGHUDGRGHUiSLGD DVVLPLODomR H GL¿FXOGDGH WpFQLFD PHGLDQD HQJOREDQGR WUDQVFULo}HV GH iULDV GH RSHUD RSHUHWDV ]DU]XHODVFDQoRQHWDVHGLYHUVRVJrQHURVGDP~VLFDGHVDOmR $ SUiWLFD PXVLFDO IHPLQLQD SRGHULD VDLU GR DPELHQWH GRPpVWLFR H IUHTXHQWDU VDUDXV IDPLOLDUHVRXDUWtVWLFRVID]HQGRFRPTXHDDWXDomRPXVLFDOGDVPXOKHUHVFRQVLGHUDGDVGHERDIDPtOLD IRVVHPDUFDGDSRUVHXFDUiWHUGLOHWDQWHHQmRSUR¿VVLRQDOFRQIRUPHDWHVWDPRVMRUQDLVGR¿QDOGR VpFXOR;,;VREUHDDWLYLGDGHPXVLFDOSRUH[HPSORGDVEDURQHVDVSHORWHQVHV &RPRFRPHoRGDDWLYLGDGHGR&RQVHUYDWyULRGH0~VLFDGH3HORWDVHPRDPELHQWH PXVLFDOGDFLGDGHGLYHUVL¿FDVHGHYDULDGDVIRUPDVFRPDDWXDomRGH$QW{QLR/HDOGH6i3HUHLUD FRPRSULPHLURSURIHVVRUGHSLDQRHGLUHWRUDUWtVWLFRGDHVFRODHFRP$QGLQR$EUHXFRPRSULPHLUR SURIHVVRUGHFDQWR 'RLV KRPHQV TXH DQWHFHGHP XPD OLQKDJHP RQGH LUmR GHVWDFDUVH PXLWDV PXOKHUHV DWXDQGRFRPRSURIHVVRUDVHWDPEpPFRPRGLUHWRUDVFRQ¿JXUDQGRXPOXJDUGHWUDEDOKRHDRPHVPR tempo, lugar de protagonismo. 'DPHVPDIRUPDTXHHPRXWUDVHVFRODVGHP~VLFDGR%UDVLOHVWDVPXOKHUHVPDUFDP R LPDJLQiULR GH JHUDo}HV GH DOXQRV H VH SHUSHWXDP FRPR D UHSUHVHQWDomR GDV ³GRQDV´ IXODQDV RX³GRQDV´EHOWUDQDVSURIHVVRUDVIRUPDGRUDVGHOLQKDJHQVGHDOXQRVTXHDVHQWUHYLVWDVHUHODWRV SHVVRDLVUHYHODPFRPRH[WUHPDPHQWHLPSRUWDQWHVQDIRUPDomRGRLPDJLQiULRHGDFXOWXUDPXVLFDO GRSDtV 6H DV SDUWLWXUDV VmR FRQVLGHUDGDV FRPR GRFXPHQWRV LPSRUWDQWHV SDUD D PXVLFRORJLD HVWHV UHODWRV PHPRULDLV VmR LPSRUWDQWHV SDUD VH WUDoDU XPD GLPHQVmR FRWLGLDQD GD P~VLFD SDUD D Mesas Redondas - Textos

88

Menu FRQVWLWXLomRGHLPDJLQiULRVHIRUPDVGHUHSUHVHQWDomRGHPDUFDQGROXJDUHVRXWURVRQGHDP~VLFDVH FRQVWUyLHVHHVWUXWXUDHPSUiWLFDVGHVLJQL¿FDGRHUHGHVGHDVVRFLDo}HV )HFKRSDUrQWHVLVUHWRUQRDRFDPLQKRSHORTXDODQGiYDPRV 2EVHUYDQGRRVSURJUDPDVGHFRQFHUWRTXH6i3HUHLUDH$QGLQR$EUHXRUJDQL]DPFRP VXDVDOXQDV XPDYH]TXHRQ~PHURGHHVWXGDQWHVHUDSULRULWDULDPHQWHGRVH[RIHPLQLQR HRVDUWLJRV TXH6i3HUHLUDSXEOLFRXQRVMRUQDLVGDFLGDGHGH3HORWDVYHUL¿TXHLXPDLPSRUWDQWHPRGL¿FDomRQR UHSHUWyULRLQWHUSUHWDGRQDHVFRODGHVWDFDQGRDSUHVHQoDGHREUDVGH9LOOD/RERVDQWHVGD6HPDQDGH $UWH0RGHUQDGHHGH'HEXVV\DLQGDHP $FKHLLQWHUHVVDQWHREVHUYDUTXH6i3HUHLUDFRVWXPDYDFRORFDUDOpPGDGDWDGHQDVFLPHQWR HPRUWHGRVFRPSRVLWRUHVDRODGRGHVHXVQRPHV±SUiWLFDDLQGDQmRFRUULTXHLUDQRSHUtRGRDYLQFXODomR HVWpWLFDGRVFRPSRVLWRUHV QmRSRUDFDVRWRGRVKRPHQVSRULVWRIDoRDUHIHUrQFLDGHVWDIRUPD HDR UHIHULUVHj9LOOD/RERVFRORFDDRODGRGHVHXQRPHFRPSRVLWRUXOWUDPRGHUQREUDVLOHLURGHVWDFDQGR RFDUiWHULQRYDGRUFRPTXHRFRPSRVLWRUHUDFRQVLGHUDGRjpSRFD 6REUHRVDUWLJRVTXH6i3HUHLUDHVFUHYHQRVMRUQDLVGDFLGDGHGH3HORWDVPXLWRVGHOHV WUD]HPWHPDVTXHVHUmRSRVWHULRUPHQWHDERUGDGRVQD5HYLVWD$ULHOGH&XOWXUD0XVLFDOGDTXDOIRL diretor em seu primeiro ano, considerada como um dos porta-vozes da Semana de Arte Moderna de  $VVXQWRVFRPRDQHFHVVLGDGHGDIRUPDomRLQWHJUDOHKXPDQtVWLFDGRP~VLFRDLPSRUWkQFLD GD VXEYHQomR GH HYHQWRV PXVLFDLV SHORV SRGHUHV S~EOLFRV D GL¿FXOGDGH HP RUJDQL]DU FRQFHUWRV PXVLFDLVDDXVrQFLDGHS~EOLFRQDVVDODVGHFRQFHUWRVmRWRGRVWHPDVTXHFRQWLQXDPHPSDXWDQRV GLDVDWXDLV 1RJXHLUD  'HVWDIRUPDDFULDomRGR&RQVHUYDWyULRGH0~VLFDGH3HORWDVWURX[HSDUDDFLGDGHGH 3HORWDVGDPHVPDIRUPDTXHGLYHUVRVRXWURVFRQVHUYDWyULRVEUDVLOHLURVR¿]HUDPSDUDVXDVUHVSHFWLYDV FLGDGHV D UHQRYDomR GH UHSHUWRULR H D SRVVLELOLGDGH GH SUR¿VVLRQDOL]DomR SDUD DV PXOKHUHV SURSRUFLRQDQGRWDPEpPDYLYrQFLDGHFRQFHUWRVHRFRQWDWRFRPDUWLVWDVQDFLRQDLVHLQWHUQDFLRQDLV 6HDSUiWLFDDPDGRUtVWLFDHVWDYDOLJDGDDXPUHSHUWRULRGHVDOmRDSUiWLFDSUR¿VVLRQDOGRVFRQFHUWRV HVWiOLJDGDDHVWHUHSHUWRULRGHFRQFHUWRHPXPDSULPHLUDDERUGDJHPGDTXHVWmR 'HVWHV DUWLVWDV TXH HVWLYHUDP UHDOL]DQGR FRQFHUWRV SHOR VXO GR %UDVLO UHDOL]HL HVWXGRV HQYROYHQGRDVIRWRJUD¿DVHQYLDGDVSDUDGLYXOJDomRGRVFRQFHUWRVRVSURJUDPDVGRVHYHQWRVHDV FUtWLFDVSRVWHULRUHVPDSHDQGRRVPRYLPHQWRVUHGHVHHQWUHFUX]DPHQWRVDRUHGRUGRHYHQWRFRQFHUWR (PWUDEDOKRVDQWHULRUHVUHDOL]HLHVWXGRVVLVWHPiWLFRVDQDOLVDQGRFRQMXQWRVGHIRWRJUD¿DV GHLQWpUSUHWHVUHDOL]DGDVQRSHUtRGRHPFRQMXQWRFRPRVFROHJDV)DELR9HUJDUD&HUTXHLUD H)UDQFLVFD0LFKHORQREVHUYDQGRFRQWLQXLGDGHVHGHVFRQWLQXLGDGHV Nestas imagens, produzidas nos lugares de origem destes músicos e musicistas e enviadas SDUD GLYXOJDomR GRV FRQFHUWRV SDUD SXEOLFDomR QRV MRUQDLV GD FLGDGH H LPSUHVVmR QDV FDSDV GRV SURJUDPDVDOJXPDVSRVVLELOLGDGHVGHDQiOLVHVHGHOLQHLDP 1DV LPDJHQV GH PXOKHUHV REVHUYDPRV XPD rQIDVH QR URVWR DLQGD TXH R ROKDU HVWHMD GLULJLGRDRORQJHSRUFLPDGRRPEURHQmRYROWDGRGLUHWDPHQWHSDUDDFkPHUD1mRH[LVWHPVRUULVRV QDPDLRULDGRVUHWUDWRVHRFRUSRHQFRQWUDVHFREHUWR3RGHVHLQIHULUXPDDWLWXGHFRQWHPSODWLYDH GLVWDQWHGRPXQGRFRWLGLDQR1DVLPDJHQVPDVFXOLQDVH[LVWHXPDrQIDVHQDVPmRVHDSUHVHQoDGR LQVWUXPHQWRQDLPDJHPGHPRQVWUDQGRXPDSRVVtYHODSURSULDomRGRWUDEDOKRHVXDWUDQVIRUPDomR Mesas Redondas - Textos

89

Menu SHORXVRGDVPmRVDRPHVPRWHPSRHPTXHHVWDVSRGHPVHUYLVWDVFRPRGLUHWDPHQWHOLJDGDVDR GRPtQLRLQVWUXPHQWDO $LQGDTXHH[LVWDPrQIDVHVUHFRUUHQWHVQDVLPDJHQVGHPXOKHUHVREVHUYDPRVGLIHUHQoDV QRTXHWDQJHjDWLYLGDGHGHVHQYROYLGDPDUFDGDPHQWHDVFRPSRVLWRUDVDSUHVHQWDPXPROKDUPDLV GLUHWDPHQWHYROWDGRSDUDDOHQWHGRIRWRJUDIRHSRUWDQWRSDUDRHVSHFWDGRUGHQRWDQGRXPPDLRU elemento de presença na imagem. (VWHV HOHPHQWRV HQFRQWUDP HFR QDV FRQVLGHUDo}HV TXH /XF\ *UHHQ DSUHVHQWD VREUH RV VLJQL¿FDGRV GR ID]HU PXVLFDO IHPLQLQR (PERUD GHYD VHU FRQVLGHUDGD GH IRUPD SUREOHPDWL]DGD H DJUHJDQGRHOHPHQWRVVHID]SHUWLQHQWHFRPRXPDOHQWHSRVVtYHOSDUDDQiOLVH *UHHQ  GHVWDFDTXHH[LVWHPGLVWLQWRVQtYHLVGHDFHLWDomRVRFLDOSDUDDSUiWLFDPXVLFDO IHPLQLQD VHJXQGR VXD SUR[LPLGDGHRX QmR FRP XP VXSRVWR FRQFHLWRGH IHPLQLOLGDGH6HJXQGR D DXWRUDDVPXOKHUHVTXHFDQWDPRXHQVLQDPVHULDPD¿UPDGRUDVGHVWHFRQFHLWRGHIHPLQLOLGDGHSRU HQYROYHUFXLGDGRHVHQWLGRIRUPDGRUUHODFLRQDGRVjXPSURORQJDPHQWRGDLGHLDGHPDWHUQDJHPH DRPHVPRWHPSRVXSRVWDPHQWHGLVWDQWHVGRGHVHQYROYLPHQWRGHXPWUDEDOKRLQWHOHFWXDODXW{QRPR 6HJXQGRDDXWRUDDPXOKHUFDQWRUDHVWDULDDVVRFLDGDQRLPDJLQiULRVRFLDOjXPGLVWDQFLDPHQWRGDV FDSDFLGDGHV LQWHOHFWXDLV SHOD rQIDVH QD H[SRVLomR GR FRUSR$V PXOKHUHV LQVWUXPHQWLVWDV VHULDP SDUFLDOPHQWH WUDQVJUHVVRUDV GHVWH LGHDO FRQYHQFLRQDGR GH IHPLQLOLGDGH HQTXDQWR DV PXOKHUHV compositoras e improvisadoras estariam mais distantes deste conceito, pelo desenvolvimento de um WUDEDOKRLQWHOHFWXDOL]DGR *UHHQS  6XVDQ 0F &ODU\ FRPHQWD DLQGD TXH XPD PXOKHU QR SDOFR VHUi YLVWD FRPR PHUFDGRULD VH[XDOLQGHSHQGHQWHGHVXDDSDUrQFLDRXVHULHGDGHDSRQWDQGRSDUDDHVWUHLWDOLJDomRQRkPELWRGR LPDJLQiULRVRFLDOHQWUHDSURVWLWXLomRHDYLGDDUWtVWLFD 0F&ODU\S  $VVLP LQVWDODVH XP MRJR GXDO RQGH HVWDV FRQFHSo}HV VREUH D PXOKHU DUWLVWD VHUmR FRQ¿UPDGDVQHJDGDVTXHVWLRQDGDVHVWUHPHFLGDVGHIRUPDYHODGDRXGHVYHODGDSDUFLDORXWRWDOPHQWH HLUiDGTXLULUFRQWRUQRVGLIHUHQWHVVHJXQGRRPXQGRPXVLFDODTXHVHSUHWHQGDRSHUWHQFLPHQWR $RPHVPRWHPSRHPTXHREVHUYRHVWDVUHSUHVHQWDo}HVGLYHUVDVHVXDDWXDOLGDGHFRPR HOHPHQWRVGHFRQVLGHUDomRVRFLDODLQGDKRMHXWLOL]DGRVSHUFHERDLQYLVLELOLGDGHGRVLQWpUSUHWHVFXMDV IRWRJUD¿DVDQDOLVHL 7RWDOPHQWH DXVHQWHV QD OLWHUDWXUD PXVLFROyJLFD RV LQWpUSUHWHV HVWmR QR HQWDQWR DEVROXWDPHQWHSUHVHQWHVQDH[SHFWDWLYDHQDH[SHULrQFLDGDVSHVVRDVTXHDVVLVWHPDRVFRQFHUWRVQD PHPyULDGRVTXHFRQVHUYDUDPRSURJUDPD TXHVHUiFRQVLGHUDGRDLQGDPDLVYDOLRVRVHQHOHFRQVWDU XPDXWRJUDIR QDVSODFDVFRPHPRUDWLYDVSUHVHQWHVQRVWHDWURVHQDVVDODVGHFRQFHUWR 'LFRWRPLDVGDSUHVHQoDHGDDXVrQFLD±PHFDQLVPRVGHFRQWDUDKLVWyULD

NOVOS DOCUMENTOS, EPISTEMOLOGIAS FEMINISTAS $RDERUGDURVHVWXGRVGHJrQHURDSDUWLUGDPLQKDSUiWLFDHPPXVLFRORJLDDSUHVHQWRXVH XPFHUWRHVWUDQKDPHQWRFRPDSDODYUDIHPLQLVPRQmRDSHQDVSDUDPLPPDVSDUDLQWHUORFXWRUHVH LQWHUORFXWRUDVHPGLYHUVRVkPELWRVGHVGHFROHJDVDWpLQVWkQFLDVGLYHUVDVGHDYDOLDomRGHSURMHWRV GHQWURHIRUDGDLQVWLWXLomR Mesas Redondas - Textos

90

Menu 8WLOL]DUDSDODYUDIHPLQLVPRGLIHUHQWHGHIHPLQLQRFDXVDYDXPHVWUDQKDPHQWRHXP LQF{PRGR PDLV GR TXH SURIXQGR YLVFHUDO DQFHVWUDO QmR FRQVFLHQWH LQH[SOLFiYHO 3UDWLFDPHQWH XPDUHSXOVD$KLVWyULDGHHQIUHQWDPHQWRVTXHRPRYLPHQWRSURS{VHPVXDVGLYHUVDVIDVHVHGH GLYHUVDV IRUPDV H PHVPR D GLVVHPLQDomR KRMH GR SHQVDPHQWR DFXVDGR GH OHYLDQR H[WUHPLVWD LUUHDOHQYROYHHOLGDFRPSDVVLRQDOLGDGHVGHIRUPDPDLVHIHWLYDTXHRXWURVSRVLFLRQDPHQWRVGH UHÀH[mRWHyULFD 2IHPLQLVPRWHP³FDXVDGRQRUROr´DFDGrPLFRFRWLGLDQRHSLVWHPROyJLFRLQVWLWXFLRQDO HLVWRPHSDUHFHQRPtQLPRLQWHUHVVDQWH 2EVHUYDQGR H SHUFHEHQGR LVWR EXVTXHL UHÀHWLU VREUH PHX SUySULR SURFHVVR PHXV HVWUDQKDPHQWRVHFRQVWUXo}HVQRWDQGRDUHVVRQkQFLDGHVWDSHUFHSomRHPRXWUDVWUDMHWyULDVHHVWUXWXUDV $RPHVPRWHPSRHPTXHHVWDREVHUYDomRPHIH]UHÀHWLUPHOHPEUDYDGHXPDIRUPD TXDVHVXEFRQVFLHQWHGDH[SUHVVmRGH*DEULHOD/HLWH³VHDJHQWHQmRSHJDDVSDODYUDVSHORFKLIUHD JHQWHQmRPXGDQDGD´ $VVXPLUDSDODYUD±QmRGHVSURYLGDGRVHXFDXVDUHGHVHXSUySULR HFRPSOH[R UROr 1RHQWDQWRDHYLGrQFLDGDSDODYUDIHPLQLVPRRXPHVPRGDVHSLVWHPRORJLDVIHPLQLVWDV VLPFDXVDXPHVWUDQKDPHQWRYLVtYHOPDQLIHVWRQmRDSHQDVHPKRPHQVPDVQDVSUySULDVPXOKHUHV 2EVHUYHLVHQWLSHUFHELLVWRHSXGHOHUWDPEpPQRUHODWRGH3LUNNR0RLVDODVREUHDFRPSRVLWRUD ¿QODQGHVD6DDULDKRRQGHHVWiH[SUHVVDRGHVHMRGDQHXWUDOLGDGHFRPRWDQWDVFULDGRUDVSHUIRUPHUV SHVTXLVDGRUDV ³$H[SOLFDomRPDLVSODXVtYHOFRQWXGRpTXHDQHJDomRGRJrQHURFRPRXPIDWRUGHLQÀXrQFLD HPVHXWUDEDOKRGHFRPSRVLomRWHQKDVLGRHSRVVLYHOPHQWHDLQGDpXPDHVWUDWpJLDXWLOL]DGD SDUDVREUHYLYHUQDFXOWXUDGRPLQDGDSRUKRPHQVGDP~VLFDGHDUWH¿QODQGHVD$¿UPDUVH XPD IHPLQLVWD SRGHULD WHU VLGR R ~OWLPR SUHJR QR FDL[mR SUR¿VVLRQDO GH DOJXpP &RPR &LWURQ  S   UHLYLQGLFD DLQGD QmR H[LVWH XPD WUDGLomR IHPLQLQD FRPSOHWDPHQWH IRUPDGDQDP~VLFDGHDUWHDVVLPFRPRXPDPXOKHUSRGHULDLGHQWL¿FDUVHFRPFRQ¿DQoD FRPRXPDFRPSRVLWRUDPXOKHU"¬OX]GDPLQKDSHVTXLVDSDUHFHTXHDSUHVHQWDUVHFRPR GLIHUHQWHGDVRXWUDVPXOKHUHVFRPSRVLWRUDVHHQIDWL]DUXPDLQGLYLGXDOLGDGH QHXWUD pSDUD XPDPXOKHUFRPSRVLWRUDXPDHVWUDWpJLDPDLVH¿FD]SDUDDOFDQoDUUHFRQKHFLPHQWRFRPR FRPSRVLWRUDGRTXHXVDU RXTXHUHUXVDU PXOKHUHVFRPSRVLWRUDVFRPRPRGHORVDVHJXLU± RXSRVVLYHOPHQWHHVVHpRFDVRDSHQDVQD)LQOkQGLDRQGHPXOKHUHVFRPSRVLWRUDVDLQGD KRMHVmRUDULGDGH´ 0RLVDOD

&RQIURQWDUVHHQWmRFRPRGHVHMRGDQHXWUDOLGDGHGRUHFRQKHFLPHQWRHSHUWHQFLPHQWR DRFtUFXORSUHGRPLQDQWHPHQWHPDVFXOLQRHKHJHP{QLFRGDP~VLFDHPERUDVHMDXPGHVHMROHJtWLPR WHQGHDVHUDSHQDVXPDGDVVDtGDVSRVVtYHLVPDVQmRUHVROYHRSUREOHPD $QHXWUDOLGDGHVHFRORFDFRPRHVWUDWpJLDSDUDVDLUGDFRQGLomRGHJrQHURHVWUDWpJLDSDUD OLGDUFRPXPPXQGRRQGHVLPRVVXMHLWRVUHFRQKHFLGRVVmRKRPHQVEUDQFRVHKHWHURVVH[XDLV ( p SRVVtYHO REVHUYDU LVWR QDV VDODV GH DXOD GH P~VLFD QDV HVWDQWHV GH RUTXHVWUD QR Q~PHURGHSURIHVVRUDVHDOXQDVQRVFXUVRVGHP~VLFDQDVREUDVSURJUDPDGDVSDUDFRQFHUWRVQRV SURJUDPDVGDVELHQDLVQRVFRQJUHVVRVQDVDVVRFLDo}HV

Mesas Redondas - Textos

91

Menu LUGARES DE FALA E LUGARES DE ESCUTA: REPRESENTAÇÃO E PROTAGONISMO ATRAVÉS DE GRUPOS, REDES, PROJETOS E PROCESSOS $QWHVGHPDLVQDGDGHYRGL]HUTXHHQWHQGRTXHDVFRQVWUXo}HVGRVREMHWRVGHHVWXGR GHFDGDSHVVRDDIRUPDFRPTXHHVFROKHDERUGiORHRFRQVHTXHQWHSHQVDPHQWRFUtWLFRDVVRFLDGR QmR VmR QHXWURV SRUWDQWR HVWmR VHPSUH LPEULFDGRV FRP R OXJDU GH IDOD GR VXMHLWRSHVTXLVDGRU RX SHVTXLVDGRUDDQFRUDGRVHPVHXFRQKHFLPHQWRVLWXDGR $OLDQGRPHjSHUVSHFWLYDFRORFDGDSHODVHSLVWHPRORJLDVIHPLQLVWDVSDUWRGDSHUVSHFWLYD GHTXHQmRH[LVWHQHXWUDOLGDGHSRVVtYHO Tampouco a desejaria. 1R HQWDQWR DV UHODo}HV HQWUH WHRULD H SUiWLFD GH SHVTXLVD SUHFLVDP HQFRQWUDU HFR H UHVVRQkQFLD FRP RV SURFHGLPHQWRV GLiULRV HOHQFDGRV WUDWDGRV HVFROKLGRV SHOR SHVTXLVDGRU RX SHVTXLVDGRUDHPVXDURWLQDDFDGrPLFDPXLWRDOpPGRVVHXVWHPDVGHSHVTXLVD 2TXHTXHURGL]HUpTXHXPSHQVDPHQWRTXHWUDWHGHPXVLFRORJLDGHJrQHURSRUH[HPSOR QmRPHSDUHFHFRHUHQWHVHHVWiEDVHDGRQDSUDWLFDDFDGrPLFDGHXPSHVTXLVDGRURXSHVTXLVDGRUDTXH RSHUDFRPSULQFtSLRVYHUWLFDOL]DGRVKLHUDUTXL]DGRVDXWRULWiULRVTXHUDWL¿FDPHQmRTXHVWLRQDPDV estruturas de poder dominantes. 3RVVR SHQVDU DTXL QDV IRUPDV FRPR HVWDV HVWUXWXUDV GH SRGHU VH SHUSHWXDP QR PHLR DFDGrPLFRHQmRVHULDXPH[HUFtFLRGHSHQVDPHQWRYDJRRXLQIXQGDGR $IRUPDFRPRVHHVFROKHPHHVWUXWXUDPGHVGHGLVWULEXLomRGHGLVFLSOLQDVHVWUXWXUDVGH RUJDQL]DomR GH FRQFXUVR GRFHQWH SDUD LQJUHVVR RX SDUD SURJUHVVmR FRQVWUXomR GDV KLHUDUTXLDV H UHODo}HVVXEVHUYLHQWHVGHQWURGRVJUXSRVGHSHVTXLVDGLVWULEXLomRGHYDJDVGRFHQWHVHGLVFHQWHVHQWUH KRPHQVHPXOKHUHVEUDQFRVHQHJURVQmRUHVLVWHDXPDREVHUYDomRVXSHU¿FLDOSDUDTXHSRVVDPVHU REVHUYDGRVRVSULQFtSLRVGHGHVLJXDOGDGHHDSRUYH]HVDXVrQFLDGHFULWpULRVGH¿QLGRVSDUDDOpPGH SHVVRDOLGDGHVFRPRVTXDLVVmRGHFLGLGRV 3RUYH]HVRFULWpULRGHWUDGLomRHFRQWLQXLGDGHVmRREVHUYDGRVSRURXWUDVRFULWpULRGD UHQRYDomR H QHFHVVLGDGH GD PXGDQoD VHP TXH VH SRVVD GHL[DU GH SHQVDU TXH D PDQXWHQomR GDV HVWUXWXUDVGHSRGHUpPDLVLPSRUWDQWHTXHRGLVFXUVRSRUWUiVGRVURWHLURV ,QWHUHVVDQWHVHULDXPDHWQRJUD¿DGHVWHVSURFHVVRVPDVHVWHQmRpRWHPDGHVWHWUDEDOKR 2TXHPHPRWLYDSDUDFRQVWUXLUHVWDUHÀH[mRpRSHQVDPHQWRVREUHDQHFHVViULDXQLmRHQWUH WHRULDHSUiWLFDGRFHQWHLQYHVWLJDWLYDHDUWtVWLFDDSDUWLUGDVHSLVWHPRORJLDVIHPLQLVWDVGDGLIHUHQoD QDDUWLFXODomRGHIRUPDVHSROtWLFDVTXHIDYRUHoDPDLQVWDODomRRHVWDEHOHFLPHQWRHDFRWLGLDQL]DomR GHVWDVSRVVLELOLGDGHVGHSHQVDPHQWR 6HLQRHQWDQWRTXHRPRPHQWRSROtWLFRHPTXHYLYHPRVQmRpRPDLVSURSLFLRSDUDLVWR RTXHID]DLQGDPDLVXUJHQWHHVWHSHQVDPHQWRHPPLQKDRSLQLmR %XVTXHLHVWUXWXUDUPHXSHQVDPHQWRDSDUWLUGHDOJXPDVFDWHJRULDVWHRULDVHIRUPDVGH UHSUHVHQWDomRGDVTXDLVFRPHQWHLXPSRXFRHORJRVREUHYR]HVHHVSDoRVGRVTXDLVYRXIDODUDVHJXLU 6REUHLVWRPLQKDLGHLDIRLPDSHDUDOJXQVHVSDoRVTXHSRVVLELOLWDPKRMHDH[SUHVVmRH H[SHULPHQWDomR SRU SDUWH GH PXOKHUHV VHMD FRP HQIRTXHV VREUH SHVTXLVD LGHQWLGDGH DUWtVWLFD RX tecnologia. Mesas Redondas - Textos

92

Menu $OJXPDVLQLFLDWLYDVWrPDFRQWHFLGRHYRXPDSHDUDSHQDVDOJXPDVTXHVmRVLJQL¿FDWLYDV SDUDPLPSRUTXHEXVFDPGHVHQYROYHURFRQFHLWRGHUHGHRQGHRFRQWDWRHDDMXGDP~WXDSDUDSURMHWRV LQGLYLGXDLVRXFROHWLYRVVHWRUQDPFDWDOLVDGRUHVGHLGHLDVLQLFLDWLYDVHWUDQVIRUPDo}HV(VWHpXP WUDEDOKRLQLFLDOVREUHRUHFRQKHFLPHQWRGHVWDVUHGHVQmRWHQKRDSUHWHQVmRGHVHUH[DXVWLYDPDV SUHWHQGRVLPFRQWLQXDUDWUDEDOKDUVREUHHVWHWHPD Série Pesquisa em Música no Brasil Vol.3: Estudos de Gênero, Corpo e Música – abordagens metodológicas (http://www.anppom.com.br/publicacoes/selo-pmb#public) 'HVWDFR FRPR XPD GDV SULPHLUDV LQLFLDWLYDV R OLYUR VREUH (VWXGRV GH JrQHUR FRUSR H P~VLFDRUJDQL]DGRSRUPLPHSRU6XVDQ&DPSRVHSXEOLFDGRSHOD$13320GHQWURGD6pULH3HVTXLVD HP0~VLFDQR%UDVLOHP 2OLYURIRLSURSRVWRSRU6XVDQ&DPSRV)RQVHFDHSRUPLPSDUDDHGLWRUDGD$13320 DFROKLGDSHORHQWmRHGLWRU5RJHULR%XGDV]H¿QDOL]DGDORJRSRU$GULDQD/RSHV0RUHLUDHGLWRUDQD JHVWmRGD$13320HOHLWDGXUDQWHRSURFHVVRGHUHDOL]DomRGROLYUR 2 OLYUR IRL GHGLFDGR j PHPyULD GH 0DULD ,JQH] &UX] 0HOOR SLDQLVWD FRPSRVLWRUD DQWURSyORJD H HWQRPXVLFyORJD TXH IRL SURIHVVRUD GD 8'(6& H SLRQHLUD QRV HVWXGRV GH P~VLFD H gênero no Brasil. 3DUWLFLSDUDPGROLYUR6XVDQ&DPSRV)RQVHFD7HUHVD&DVFXGRH0LJXHO$QJHO$JXLODU 5DQFHO0DULD3DOiFLRV7DOLWKD&RXWR0RUHLUD&DWDULQD'RPHQLFL/DLOD5RVDH*UXSR)HPLQDULD 0XVLFDO)DELDQH/XFNRZ,VDEHO1RJXHLUD)UDQFLVFD0LFKHORQH)DELR9HUJDUD&HUTXHLUD5DIDHO 1ROHWR9DQGD)UHLUHH$QJHOD3RUWHOD0RQLFD9HUPHV0DUFLD7DERUGD9DQLD0XOOHU5RGULJR&DQWRV 6DYHOOL*RPHV1RVDQH[RVWUrVWUDGXo}HVGH&DUORV3DORPELQLXPDUHSXEOLFDomRGRYHUEHWH0XVLFD OHVELFDHJXHLGH3KLOLS%UHWWH(OL]DEHWK:RRGDQWHULRUPHQWHSXEOLFDGRSHOD5HYLVWD(OHWU{QLFDGH 0XVLFRORJLDXPDHQWUHYLVWDFRP(OL]DEHWK:RRGHRSUHIiFLRGH:D\QH.RHVWHQEDXPSDUD4XHHULQJ WKHSLWFKGH3KLOLS%UHWW(OL]DEHWK:RRGH*DU\7KRPDV Revista Vortex, 2015 (http://www.revistavortex.com/) $5HYLVWD9yUWH[HGLWDGDSRU)HOLSHGH$OPHLGD5LEHLURH)iELR6FDUGXHOOLQRYROXPH Q~PHURGHGH]HPEURGHGHGLFRXVHDP~VLFDHJrQHURFRPDUWLJRVGH/DLOD5RVDH,VDEHO 1RJXHLUD7DQLD1HLYDH7KLDJR&DEUDOHGH-RUJH9HUJDUDHDWUDGXomRGH&DPLOD=HUELQDWWLSDUDR DUWLJRGH3LUNNR0RLVDODVREUHDFRPSRVLWRUD¿QODQGHVD.DLMD6DDULDKR $ HGLomR FRQWRX DLQGD FRP XP GRVVLr VREUH VRP H YLROrQFLD RUJDQL]DGR SRU /DL]H *XD]LQD H XP GRVVLr VREUH R WUDEDOKR GH FRPSRVLWRUDV RUJDQL]DGR SRU9DOHULD %RQDIp LQFOXLQGR /LOLDQ &DPSHVDWR )ORUD +ROGHUEDXP )HUQDQGD 1DYDUUR -XOLD 7HOHV 7KDLV 0RQWDQDUL 0LFKHOOH $JQHVH&ULVWLQD'LJQDUW,QWHUHVVDQWHREVHUYDUTXHDUHYLVWDLQFOXLXSDUWLWXUDVHiXGLRVGDVREUDVGDV FRPSRVLWRUDVUHSUHVHQWDQGRXPDLPSRUWDQWHIRQWHGHLQIRUPDomRHUHÀH[mR Rede Sonora, 2015 (http://www.sonora.me/) $ UHGH 6RQRUD IRL FULDGD HP  SRU XPD LQLFLDWLYD FROHWLYD GH PXOKHUHV FULDGRUDV FRPSRVLWRUDVHLQWpUSUHWHVSUHRFXSDGDVFRPRVHVSDoRVHDYLVLELOLGDGHGDVPXOKHUHVQDVGLYHUVDV FHQDVPXVLFDLV2JUXSRWHPXPDOLVWDGHHPDLOVEDVWDQWHDWLYDHPWHUPRVGHWURFDVGHLQIRUPDo}HV Mesas Redondas - Textos

93

Menu H SURFHGLPHQWRV WDQWR WHyULFRV TXDQWR FRWLGLDQRV H UHDOL]D UHXQL}HV VHPDQDLV WUDQVPLWLGDV YLD \RXWXEHHKDQJRXWVRQGHWRGRVRVSDUWLFLSDQWHVGDUHGHSRGHPLQWHUDJLUHSDUWLFLSDU)D]HPSDUWHGD UHGH$QWRQLOGH5RVD*\RYDQD&DUQHLUR6LOYLD%HUJH0RQLFD9HUPHVDTXLSUHVHQWHV GDVSHVVRDV TXHFRQKHoRDTXL HQWUHRXWURVYiULRVHYiULDVSDUWLFLSDQWHV2VLWHGRJUXSRGL]RVHJXLQWHHPXP WH[WRFRQVWUXtGRFROHWLYDPHQWH Sonora p SDODYUD GR JrQHUR IHPLQLQR 6XUJH GH XPD QHFHVVLGDGH GH YLVLELOLGDGH H GLiORJR VREUH R WUDEDOKR DUWtVWLFR GDV PXOKHUHV &RPR UHGH FRODERUDWLYD UH~QH DUWLVWDV H SHVTXLVDGRU[VLQWHUHVVDG[V HP PDQLIHVWDo}HV IHPLQLVWDV QR FRQWH[WR GDV DUWHV 3URS}H D FULDomR H RFXSDomRGHHVSDoRVDUHDOL]DomRGHSHVTXLVDVHGHEDWHVHHVWiHQYROYLGDHPDWLYLGDGHVPXVLFDLV GHGLYHUVDVYHUWHQWHV$WXDOPHQWH6RQRUDUHDOL]DWUrVDWLYLGDGHVUHJXODUHVXPJUXSRGHHVWXGRVFRP GLVFXVV}HV GH WH[WRV H VHVV}HV GH HVFXWD D VpULH YR]HV TXH UHFHEH PXOKHUHV DUWLVWDV SDUD IDODUHP VREUHVHXVSUySULRVWUDEDOKRVHDVpULHYLV}HVTXHUHFHEHSHVTXLVDGRU[VTXHDWXDPQDiUHDVGHJrQHUR HIHPLQLVPRV6RQRUDpDWUDYHVVDGDSRULQFHUWH]DVLQGH¿QLo}HVUHWLFrQFLDVDEHUWXUDVDIHWLYLGDGHV VHQVLELOLGDGHVUXtGRV (VWiHPIDVHGHJHVWmRR(QFRQWUD6RQRUDSDUDR¿QDOGHUHXQLQGRDVPXOKHUHV SDUWLFLSDQWHV GD UHGH H SHVVRDV LQWHUHVVDGDV HP PHVDV UHGRQGD GHEDWHV FRQFHUWRV ZRUNVKRSV H DSUHVHQWDo}HVGHWUDEDOKRV $6RQRUDWHPVHFRQVWLWXtGRXPDUHGHLQVWLJDQWHHDWLYDRQGHFDGDSHVVRDTXHSDUWLFLSD SRGHDGLFLRQDUPHPEURVTXHFRQVLGHUHTXHWHQKDPLQWHUHVVHHPP~VLFDHJrQHURHGDOLWHPEURWDGR SURMHWRVGLVFXVV}HVLGpLDVWURFDVGHLQIRUPDomRHFRODERUDo}HV 'HVWDVFRODERUDo}HVQDVFHXXPDFRODERUDomRPLQKDFRP)ORUD+ROGHUEDXPXPSRHPD VRQRURTXHIRLSXEOLFDGRQD5HYLVWD/LQGDGH&XOWXUD(OHWURDFXVWLFD Revista Linda (http://linda.nmelindo.com/) 2HGLWRULDOGDHGLomRGHPDLRDVVLQDGRSRU)ORUD+ROGHUEDXPH$OHVVD&DPDULQKDGL] RVHJXLQWH³QRVVDUHYLVWDlindaFRQWLQXDDSHGLUSDVVDJHPHDEULUFDPLQKRHPPHLRDWDQWRUXtGR GLJLWDO(VVDHGLomRGDUHYLVWDYHPFDYDQGRVHXHVSDoRHPWXDHVFXWD1HVWDlinda tem espaço pra WRGRVRVHVSDoRV´ ,QLFLDOPHQWHFULDGDFRPLQWHQomRGHVHUXPHGLWRULDOGR1~FOHR1RYD0XVLFD(OHWURDFXVWLFD 10( D/LQGDGHVHQYROYHXVHGHIRUPDDXW{QRPDHFRODERUDWLYDDSDUWLUGHVHPDQDOPHQWH$ UHYLVWDWHPUHODomRFRPDFXOWXUDHOHWURDF~VWLFDQDDFHSomRTXHRVFROXQLVWDVDVVLPTXLVHUHP 1D/LQGDDSUHRFXSDomRFRPDLQYLVLELOLGDGHGDVPXOKHUHVDSDUHFHXWDOYH]GHIRUPD PDLVPDUFDGDFRPRDUWLJRGH-XOLD7HOOHVSHUJXQWDQGRRQGHHVWDYDPDVPXOKHUHVFRPSRVLWRUDV /RJRSDUDPLPIRLLPSRUWDQWHRGHVHQYROYLPHQWRGRVRPWH[WRTXHGHVHQYROYLFRP)RUD +ROGHUEDXPFRPRXPDFRODERUDomRVRQRURSRpWLFRUHÀH[LYDVREUHD5HGH6RQRUD $ P~VLFD TXH ¿] SDUD HVWD UHÀH[mR MXQWR FRP /XFLDQR =DQDWWD IH] SDUWH GR SURMHWR IRQRJUi¿FRImpermanente movimentoDSDUWLUGRTXDOHVWiVHQGRUHDOL]DGRXPHVWXGRFRUHRJUi¿FR FRRUGHQDGRSRU0DUtOLD9HODUGLHJUXSR(&2$5GD($&+863 GLVSRQtYHOHPhttps://archive.org/ details/PLATARECS168). $~OWLPDHGLomRGD/LQGDSXEOLFDGDDQWHRQWHPFRQWRXFRPXPWH[WRGH(OLDQD0RQWHLUR GD6LOYDIDODQGRGHVXDH[SHULrQFLDGDUHGH6RQRUDHGDFRPSRVLWRUD&ODUD6FKXPDQQ Mesas Redondas - Textos

94

Menu $HGLomRDQWHULRUWURX[HXPWH[WRGD0DUFHOD/XFDWHOOLIDODQGRVREUHXPSURMHWRTXH DSUHVHQWRDVHJXLUFKDPDGR'LVVRQDQWHV Projeto Dissonantes (KWWSVZZZIDFHERRNFRP'LVVRQDQWHV"IUHI WV) 'LVVRQDQWHVpXPDVpULHGHDSUHVHQWDo}HVGHP~VLFDH[SHULPHQWDORUJDQL]DGDSRU5HQDWD 5RPDQH1DWDFKD0DXUHU6HJXQGRDVDXWRUDVRSURMHWRVXUJHHPGH]HPEURGHFRPRUHVSRVWDj SHUJXQWD³RQGHHVWmRDVPXOKHUHVQDFHQDH[SHULPHQWDO"´SURYRFDGDSHODUHGX]LGDSUHVHQoDIHPLQLQD QRV FRQFHUWRV H DSUHVHQWDo}HV GH P~VLFD SHORV TXDLV SDVVDUDP VHMD DSUHVHQWDQGRVH SURGX]LQGR RXDLQGDHQTXDQWRS~EOLFR9LVDQGRPRGL¿FDUHVVHFRQWH[WRHDPSOLDUDSDUWLFLSDomRGDVPXOKHUHV QHVVDFHQDDVpULHSUHWHQGHFULDUXPHVSDoRGHYLVLELOLGDGHHWURFDFRPDSUHVHQWDo}HVGHPXOKHUHV HRXJUXSRVFRPSRVWRVSRUSHORPHQRVGHPXOKHUHV&RPSHULRGLFLGDGHPHQVDOHUHDOL]DGDHP HVSDoRVGLIHUHQWHVFRQWDFRPGXDVDSUHVHQWDo}HVSRUHGLomR 7RGRVHVWHVSURMHWRVFULDPHVSDoRVVLPEyOLFDHSUDWLFDPHQWHSDUDRGHVHQYROYLPHQWR GHSURWDJRQLVPRVIHPLQLQRVSDUDRTXHVWLRQDPHQWRGRVOXJDUHVWUDGLFLRQDLVYLQFXODGRVjPXVLFDGH concerto, contemplando outros repertórios e praticas. 3RUFHUWRPXLWRVFDPLQKRVDLQGDHVWmRSRUWULOKDUHVWHVSURMHWRVQmRVmRRV~QLFRVDV PXOKHUHV TXH RV SURWDJRQL]DP GHVHQYROYHP GLYHUVRV RXWURV ± H QmR VH SUHWHQGHP IHFKDGRV VHXV GHOLQHDPHQWRVHVWmRHPSURFHVVR 1RHQWDQWRFRQVLJRSHUFHEHUQHVWDVLQLFLDWLYDVDSUHVHQoDGDYLQFXODomRHQWUHWHRULDH SUiWLFDDEXVFDGDKRUL]RQWDOLGDGHHGDFLUFXODULGDGHGRVSURFHVVRVDIRUPDomRGHUHGHVGHWURFDH apoio mútuo, um constante discutir e repensar práticas e procedimentos, espaços de protagonismo SDUDDSUiWLFDHSDUDDHVFXWDPXVLFDODFULDomRHDHVFULWDUHÀH[LYD

PERFORMANCE, CRIAÇÃO SONORA, MUSICOLOGIA E MICROPOLÍTICAS: VOZES ENTRELAÇANDO ESPAÇOS 3URFXUHLDTXLSHQVDUDUHÀH[mRPXVLFROyJLFDFRPRKLVWRULDPHQWRGRVSURFHVVRVSHQVDUD IRUPDFRPRDVUHSUHVHQWDo}HVVHDUWLFXODUDPHVHDUWLFXODPSDUDEXVFDUHQWHQGHUFRPRVHFRQVWUXtUDP RVOXJDUHVGHIDODGHKRMH $SDUWLUGDFRPSUHHQVmRGDFRQVWUXomRKLVWyULFDGRVOXJDUHVGHIDODHQWHQGRTXHHOHVVH FRQVWLWXHPWDPEpPFRPROXJDUHVGHHVFXWDGHPDUFDQGROXJDUHVpWLFRVHSROtWLFRVDSDUWLUGRVTXDLV RVVLJQL¿FDGRVVmRDWULEXtGRVPRGL¿FDGRVWHQVLRQDGRVJHUDQGRDVLGHQWLGDGHVQ{PDGHVFRPTXHVH FRQ¿JXUDPQmRDVFRLVDVHPVLPDVDIRUPDFRPRDVSHUFHER 3RU LVWR R IHPLQLVPR MXQWDPHQWH FRP UDoD H HWQLD ± DOJXQV GRV PDUFDGRUHV VRFLDLV GD GLIHUHQoD ± HPHUJHP FRPR LPSRUWDQWHV FRPR HYLGrQFLDV GD LPSRUWkQFLD GH FRQVLGHUDUVH RV FRQKHFLPHQWRVFRPRVLWXDGRVFRPRPDUFDGRUHVSROtWLFRVSULPHLURVGHPDUFDGRUHVGHVWHVOXJDUHVGH IDODHGHHVFXWDGDQGRVLJQL¿FDGRjVQRo}HVGHSHUWHQFLPHQWRUHSUHVHQWDomRHDXWRULGDGH ,QWULQVHFDPHQWHDVPXOKHUHVVDEHPPHVPRTXHDOLQJXDJHPVHMDQmRGLWDQmRH[SUHVVD QmRYHUEDOL]DGDTXDLVVHXVOXJDUHVDFHLWiYHRVGHSHUWHQFLPHQWRHTXDLVRVSURFHVVRVDHQIUHQWDUFDVR TXHLUDPHTXHUHPHPPXLWRVFDVRV±SHUSDVVDUXOWUDSDVVDUSURWDJRQL]DU Mesas Redondas - Textos

95

Menu 3URFHVVRV SHUPHDGRV GH GRU FRQÀLWRV H HQIUHQWDPHQWRV PDV WDPEpP GH FRUDJHP H URPSLPHQWRVDLQGDKRMHFRQWtQXDHGLDULDPHQWH 8P GRV HOHPHQWRV GHVHMDGRV D SRVVLELOLGDGH GD QHXWUDOLGDGH FRQ¿JXUDVH FRPR XP HOHPHQWR WUDQVLWyULR XPD SRVVLELOLGDGH WDOYH] UHDO VH D PXOKHU HVWLYHU HP SRVLomR LGDGH RXMiUHFRQKHFLPHQWRVX¿FLHQWHSDUDTXHDVXDVH[XDOLGDGHQmRVHLQWHUSRQKDjVXDFDSDFLGDGH intelectual. $LQGDRGHVHMRGR³GLUHLWRjPHGLRFULGDGH´FRPRPHQFLRQD&HFtOLD3LxHUR*LOSRVWRTXH SDUDTXHXPDPXOKHUHVWHMDHPOXJDUHVGHSURWDJRQLVPRVHH[LJHTXHHODVHMDPXLWRPHOKRUGRTXH XPKRPHPTXHSDUDRPHVPRSRVWREDVWDULDVHUPHGLDQR0HULWRFUDFLDTXHGLVIDUoDDFRQVLGHUDomR GHH[LJLUVHH[FHOrQFLDGHXPDPXOKHUSDUDTXHHODSRVVDHVWDURFXSDQGRROXJDUTXHSRGHULDVHUGH XPKRPHP 'HRXWUDIRUPDRVPDUFDGRUHVGHJrQHURUDoDHHWQLDFRQ¿JXUDPXPSULPHLURGHOLPLWDGRU GH TXDO OXJDU GH IDOD HVWi DVVRFLDGR D TXDO LQGLYLGXR PHVPR DQWHV GH TXH HVWH GHPRQVWUD R TXH GHVHMDHFRPLVWRIHFKDQGRDOJXQVFDPLQKRVHGHOLPLWDQGRRXWURVFRQVLGHUDGRVDFHLWiYHLVGLJQRV GHVHUWULOKDGRV 1HVWHVHQWLGRDSRVVLELOLGDGHGDH[SHULPHQWDomRHQWUHODoDPHQWRGRMRJRHQWUHOXJDUHV SROtWLFRVRXHVWpWLFRVFRQ¿JXUDVHFRPRRTXHVHTXHUDOFDQoDUFULDUOXJDUHVHHVSDoRVQRVTXDLV D PXOKHU SRVVD VH VHQWLU DFROKLGD H OLYUH SDUD H[SHULPHQWDU SURYDU H[HUFHU H GHVHQYROYHU VXDV FDSDFLGDGHVHSRVVLELOLGDGHVFULDWLYDV 3HQVRDTXLDVHSLVWHPRORJLDVIHPLQLVWDVHDV¿ORVR¿DVGDGLIHUHQoDFRPRSRVVLELOLWDGRUHV GHXPFRQFHLWRKtEULGRGHSHVTXLVDHPPXVLFRORJLDOLJDGRDRTXHVWLRQDPHQWRGHVWDVHVWUXWXUDVGH UHSUHVHQWDWLYLGDGHGHSRGHURIHUHFHQGRRXWUDVIRQWHVSDUDDSHVTXLVDHSRVVLELOLWDQGRDFULDomRGH HVSDoRVHOXJDUHVGHH[LVWrQFLDHUHVLVWrQFLDTXHSRVVLELOLWHPDDFROKLGDGRVSURFHVVRVLQYHVWLJDWLYRV FULDWLYRVHGHFULDomRGHSRWrQFLDVSDUDPXOKHUHV 'LDULDPHQWHQRVHVSDoRVFRWLGLDQRVQDVIRUPDVGHSURGX]LUXPSHQVDPHQWRGHHQVLQR SHVTXLVDHSURGXomRGHFRQKHFLPHQWRVQmRKLHUDUTXL]DGRVFLUFXODUHVFRPSDUWLOKDGRVFRQVWUXtGRV HPFRQMXQWRHQWUHRVSDUWLFLSDQWHVTXHPRGL¿TXHWRGRVRVHQYROYLGRVQDPHVPDGDQoD $GDQoDSDUDPLPH[SUHVVDDRODGRGDVLGpLDVGHMRJRUHGHHFROFKDGHUHWDOKRVDIRUPD FRPRRVSHQVDPHQWRVVHHQWUHODoDPHEXVFDPIRUPDVGHH[SUHVVmRQHVWHQHFHVViULRHXUJHQWHGLiORJR entre teoria e prática. (VSDoRV GH YR] H HVFXWD D SDUWLU GH HQWUHODoDGRV FRP DV GLIHUHQoDV HQWHQGHQGR R SHQVDPHQWRVREUHP~VLFDHJrQHURFRPRPXLWRDOpPGHXPDPHUDLQFOXVmRGDVPXOKHUHVHPGLVFXUVRV TXHVHMDPSURGX]LGRVHUHFRQWDGRVGDPHVPDIRUPDKHJHP{QLFDTXHJHURXRGLVFXUVRTXHLQYLVLELOL]D HVWDVPHVPDVPXOKHUHV *HUDU PHFDQLVPRV SDUD D FULDomR GH OXJDUHV RQGH VHMD SRVVtYHO R DFROKLPHQWR GDV GLIHUHQoDVHFRPLVWRGDQGROXJDUjFULDomRGHQRYRVPRGHORV±GHYLYrQFLDVPXVLFDLVGHFRQFHUWRV GHHVSDoRVGHDSUHQGL]DGRHOXJDUHVGHSURWDJRQLVPRRQGHPHQLQDVHPIRUPDomRSRVVDPWDPEpP HQ[HUJDUVHHVWHpRHOHPHQWRFKDYHFRPRTXDOEXVFRQRUWHDUPLQKDUHÀH[mR 'DPHVPDIRUPDUHÀLWRHREVHUYRDVTXHVW}HVDSRQWDGDVSRU/DLOD5RVDVREUHD³HFRQRPLD GDVFLWDo}HV´DSRVVLELOLGDGHGHUHIHULUHPQRVVRVWUDEDOKRVDXWRUDVPXOKHUHV FLVHWUDQV DOpPGH SHQVDGRUHVHSHQVDGRUDVTXHWUDEDOKDPDSDUWLUGHQRVVRVOXJDUHVEDLUUR±FLGDGH±%UDVLO$PpULFD Mesas Redondas - Textos

96

Menu /DWLQD(QHVWHWH[WRQmRSRUDFDVRSULRUL]RUHIHULURVWUDEDOKRVGHVHQYROYLGRVKRMHHHPUHGHQR FRQWH[WRGR%UDVLO 3RUWRGDVHVWDVUHÀH[}HVYR]HHVSDoRHPHUJHPFRPRFDWHJRULDVLPSRUWDQWHVHPPHXV SURFHVVRVUHÀH[LYRVHDUWtVWLFRVYR]FRPRVtPERORGHSURWDJRQLVPRDRPHVPRWHPSRHPTXHYR] VRPYR]VHQWLGRHYR]WUDQVIRUPDGD HPVXDVGLYHUVDVSRVVLELOLGDGHV HHVSDoRDEUDQJHQGRWDQWRRV DVSHFWRVVLPEyOLFRV±FRPROXJDUGHIDOD±FRPRSUiWLFRVDSDUWLUGHJUDYDo}HVGHFDPSR 6HMDHPPHXJUXSRGHSHVTXLVDFRPPLQKDVDOXQDVHDOXQRVQDUHGH6RQRUDQD5HYLVWD /LQGDQR&ROHWLYR0HGXODQRGXR6WUDQD/HNWLULRXHPPHXWUDEDOKRVRORRTXHGHVHMRpEXVFDU WUD]HUPLQKDVUHÀH[}HVPXVLFDLVHPXVLFROyJLFDVSDUDRKRMHHQWHQGHUFRPRVHHVWUXWXUDUDPDOJXQV SURFHVVRVKLVWyULFRVQRVHQWLGRGHFRQWULEXLUSDUDRGHVHQYROYLPHQWRGHHVSDoRVGHDFROKLPHQWRTXH LGHQWL¿FRFRPRLPSRUWDQWHVHQHFHVViULRV eLVWRRTXHGHVHMHLSDUWLOKDUKRMHDTXL %XVTXHL H[HUFLWDU DTXL WDPEpP XPD HVFULWD VLWXDGD KtEULGD HQWUHODoDGD FRP PHX FRWLGLDQR GHPDUFDQGR SRVVLELOLGDGHV GH FRVWXUDV QmR OLQHDUHV TXH VmR H[DWDPHQWH D IRUPD FRPR WHQKRFRQVWUXtGRPHXFRQKHFLPHQWR 'DSUiWLFDGRSLDQRHGDPXVLFRORJLD±TXHPHOHYDUDPDSHQVDUQDLGHLDGDH[LVWrQFLD GH XPD FXOWXUD SLDQtVWLFD GD P~VLFD GH FRQFHUWR GHPDUFDGD SHOD LQYLVLELOL]DomR GD PXOKHU H SHOD KLHUDUTXL]DomRGHDOJXQVUHSHUWyULRVHSUiWLFDVHPGHWULPHQWRGHRXWUDVFRPSUHHQGLTXHDUHÀH[mR VREUH D HVFROKD GR TXH HVWXGDU H GH TXH IRUPD DERUGiOR p FUXFLDO SDUD R GHVHQYROYLPHQWR GDV LGHQWLGDGHVDUWtVWLFDV 2TXHVWLRQDPHQWRGHTXHPTXHURVHUFRPRDUWLVWDHTXHDUWLVWDPHXVDOXQRVHPLQKDV DOXQDVTXHUHPVHUPHOHYDDSHQVDUQDVIRUPDVFRPTXHSRVVRDX[LOLDUQRGHVHQYROYLPHQWRGHVWHV SURFHVVRV3DUWLUGDHVFXWDHGRDFROKLPHQWRSDVVDQGRSHORTXHVWLRQDPHQWR(QWHQGHUTXHHOHVHHODV QmRVHUmRRVPHVPRVDUWLVWDVTXHHXQHPWRGRVRPHVPRSRULVWRPHSDUHFHHVVHQFLDOFRQVLGHUDUD SDUWLUGHTXHOXJDUHOHVIDODPHTXHYR]GHVHMDPWHU 7RGRVHVWHVFDPLQKRVPHOHYDUDPDRGHVHMRGHPDQLIHVWDUPHDWUDYpVGDFULDomRVRQRUD HGHVWDVH[SHULPHQWDo}HV 0RWLYDGDSRUHVWDVLPSHUPDQrQFLDVHFDPLQKRVSHUFRUULGRVFKDPHLGHImpermanente movimento PHX SULPHLURWUDEDOKRGH FULDomRVRQRUD ± HQYROYHQGRYR] H JUDYDo}HVGHVHQYROYLGR HPSDUFHULDFRP/XFLDQR=DQDWWDHTXHGHQWURGHSRXFRWHPSRJDQKDUiYLGDHPGDQoD±SUiWLFDH VLPEROLFDPHQWH±SHORJUXSR(&2$5GD8QLYHUVLGDGHGH6mR3DXORVREFRRUGHQDomRGH0DUtOLD Velardi. (VmRHVWDVP~OWLSODVYR]HVHGLiORJRVTXHFRQ¿JXUDPRVHQWUHODoDPHQWRVGRVoicingTXH dá nome a meu terceiro disco. &RVWXUDVKLEULGDVGHVLJQL¿FDGRVGHXPFDPLQKRQmROLQHDUFRPFHUWH]DPDVTXHpR TXHPHID]HVWDUKRMHDTXL (QFHUURHVWDIDODFRPRWH[WRGH$O¿QDOHOFRPLHQ]R, do meu disco VoicingTXHVHUi ODQoDGRQRSUy[LPRGLDGHMXQKRSHORVHOR6HPLQDO5HFRUGV KWWSVVHPLQDOUHFRUGVEDQGFDPS FRPDOEXPYRLFLQJ  $JUDGHoRDDWHQomR

Mesas Redondas - Textos

97

Menu Ida Venida 'UDPDVDQJUH VXHOWD\D YHWH\QRYXHOYH VLHPSUH\DQRKD\TXHGHFLU VLJXHWXFDPLQKR\DTXLYR\ el tempo es mio ($O¿QDOHOFRPLHQ]R±P~VLFDGHVoicing,VDEHO1RJXHLUD

REFERÊNCIAS $1=$/'Ò$ *ORULD /D FRQFLHQFLD PHVWL]D 5XPR D XPD QRYD FRQFLHQFLD Revista Estudos Feministas7UDGXomRGH/,0$$QD&HFtOLD$FLROL)ORULDQySROLV9RO  6HWGH]S 2005. BBBBBB ³)DODQGRHPOtQJXDVXPDFDUWDSDUDDVPXOKHUHVHVFULWRUDVGRWHUFHLURPXQGR´Revista Estudos Feminista)ORULDQySROLV9RO  S CITRON, Marcia. Gender and the Musical Canon8UEDQD8QLYHUVLW\RI,OOLQRLV3UHVV &2(66(16.DWKOHHQ&5,63,1'DUOD'28*/$6$QQH7KHDUWLVWLFWXUQ±DPDQLIHVWR*KHQW 2USKHXV,QVWLWXWH &85,(/2FK\+DFLD/DFRQVWUXFFLyQGHXQIHPLQLVPRGHVFRORQL]DGR0,f262
Lihat lebih banyak...

Comentários

Copyright © 2017 DADOSPDF Inc.