Early Music

Catalogus Musicologicum: Breve achega sobre a música na cidade de Penafiel (séculos XVI a XIX) Museu Municipal de Penafiel, 29 de Outubro de 2016

Early Music / Music History / Musicology / Iconography (Music) / Musical Iconography / Pintura / História da arte / Iconografia Musical Em Portugal / Historia Da Arte Em Portugal / Pintura / História da arte / Iconografia Musical Em Portugal / Historia Da Arte Em Portugal

Llibre Vermell: Caca, \"O Virgo Splendens\" (c. 14th century): Monasterio de Santa Maria [E-MO] MS 1 \"Llibre Vermell de Montserrat\" no. 1 fols. 21v. - 22r.

Musical Composition / Early Music / Composition and Rhetoric / Medieval Studies / Composition (Music) / History of Musical Composition / Medieval Music / Music Composition / Polyphony / Medieval Music Theory / Opera,Choral And Vocal Music / Choral Music / 14th-16th Centuries Counterpoint / Christian liturgical music / Sacred Music / Notre dame polyphony / Composition / Vocal Polyphony / Medieval Musical Thought / Choral Music and Church Music / Musicology, art of singing: opera, and choral music / Medieval, Renaissance and Baroque Music / Monophonic Counterpoint / Music transcription / Sacred Music of Renaissance Spain / Counterpoint / Liturgical Music / Liturgy, Sacred Music / Musical Canon / Medieval musicology / Early Polyphony / Early Music Performance / Caccia / Montserrat / Medieval Polyphony / Musical Composition, arranging / Early music and historically informed performance practice / Western Musical Canon / Music Composition and Performance / Medieval liturgical music / Late medieval and Renaissance music / Medieval Musical Notation / Early Medieval Music / Canons (music) / Harmony and Counterpoint / Musical Canons / Renaissance Counterpoint / Liturgical Polyphony / Sacred Choral Music / Classical Musical Composition / Musical Transcription & Analysis / Organum / Parisian Organum / Medieval Music Performance / Canons In Early Music / Medieval and Renaissance Music Theory / Spanish Polyphony / Medieval Music Notation Compositional Style / Ars Nova Polyphony / Spanish Liturgical Music Manuscripts / Early Organum / Organum purum / Jordan Key / Jordan Alexander Key / Key, Jordan / Jordan A. Key / Transcription (Music) / Llibre Vermell / History of Musical Composition / Medieval Music / Music Composition / Polyphony / Medieval Music Theory / Opera,Choral And Vocal Music / Choral Music / 14th-16th Centuries Counterpoint / Christian liturgical music / Sacred Music / Notre dame polyphony / Composition / Vocal Polyphony / Medieval Musical Thought / Choral Music and Church Music / Musicology, art of singing: opera, and choral music / Medieval, Renaissance and Baroque Music / Monophonic Counterpoint / Music transcription / Sacred Music of Renaissance Spain / Counterpoint / Liturgical Music / Liturgy, Sacred Music / Musical Canon / Medieval musicology / Early Polyphony / Early Music Performance / Caccia / Montserrat / Medieval Polyphony / Musical Composition, arranging / Early music and historically informed performance practice / Western Musical Canon / Music Composition and Performance / Medieval liturgical music / Late medieval and Renaissance music / Medieval Musical Notation / Early Medieval Music / Canons (music) / Harmony and Counterpoint / Musical Canons / Renaissance Counterpoint / Liturgical Polyphony / Sacred Choral Music / Classical Musical Composition / Musical Transcription & Analysis / Organum / Parisian Organum / Medieval Music Performance / Canons In Early Music / Medieval and Renaissance Music Theory / Spanish Polyphony / Medieval Music Notation Compositional Style / Ars Nova Polyphony / Spanish Liturgical Music Manuscripts / Early Organum / Organum purum / Jordan Key / Jordan Alexander Key / Key, Jordan / Jordan A. Key / Transcription (Music) / Llibre Vermell

Scholarship for 2017 Early Music Seminars: Maestros Napolitanos

Early Music / String Quartets / Baroque Music / 18th Century Music History / 18th Century Music / Scholarships / String Quartet / Early Music Performance / Spanish Baroque / Early music and historically informed performance practice / Scholarships/Grants / Neapolitan music / Spanish Baroque Music / Neapolitan Baroque music / Soprano repertoire / Scholarships / String Quartet / Early Music Performance / Spanish Baroque / Early music and historically informed performance practice / Scholarships/Grants / Neapolitan music / Spanish Baroque Music / Neapolitan Baroque music / Soprano repertoire

Revista de Musicología, vol. 39, núm. 2 (Madrid, 2016). 416 pp.

Early Music / Nineteenth-Century Music / Twentieth-century Music / Baroque Music / Latin American Music / Renaissance music / Spanish Music / Book of Lamentations / Musica, Guitarra / Musicology, Spanish Music Historiography / Centre-Periphery Relations / Pyrénées / Cathedral of Málaga (Spain) / Codex Calixtinus / Villancicos / Avant Garde Music / Cristóbal de Morales / Archeology / Sociedad Española De Musicología / Renaissance music / Spanish Music / Book of Lamentations / Musica, Guitarra / Musicology, Spanish Music Historiography / Centre-Periphery Relations / Pyrénées / Cathedral of Málaga (Spain) / Codex Calixtinus / Villancicos / Avant Garde Music / Cristóbal de Morales / Archeology / Sociedad Española De Musicología

Sonitu Organi: para uma história da discografia de música antiga de órgão em Portugal

Early Music / Organ Music / Música Antiga / Indústria Fonográfica / Música Erudita / Recording Production / Iberian Organ / Recording Production / Iberian Organ

Análise de Fumeux fume par fumée de Solage: uma breve aproximação entre Ars Subtilior e Madrigal

Early Music / Musical Analysis / Análise Musical / Música Antiga / Ars subtilior

UM OLHAR SOBRE A MÚSICA ANTIGA 50 anos de História no Brasil

Early Music / Historically Informed Performance (HIP) / História da Música / Música Antiga

O PATHOS NA MÚSICA DO TARDO-RENASCIMENTO – NACHLEBEN DER ANTIKE E CONSTRUÇÃO DE MEMÓRIA (Late-Renaissance Music Pathos – “Nachleben der Antike” and the construction of memory)

Early Music / Early Modern History / History and Memory / Renaissance Art / Early Modern Europe / Social and Collective Memory / Cultural Memory / Early Modern Intellectual History / 16th Century Counterpoint / Italian Renaissance Art / Early Modern Italy / Nachleben / Renaissance music / 16th Century Italian Art / Aby Warburg / Renaissance Ferrara / Maneirismo / Giulio Romano, Maneirism, Maneirismo / Late Italian Renaissance music, 20th-21st c. music / Nachleben der Antike- Denkraum-Pathosformeln-Burucúa / Renaissance Florence / Pathosformeln / Aby Warburg. Mnemosyne-Atlas / Camerata De' Bardi / Ferrara Estense / Pathos Formula / Giulio Caccini / Late Italian Renaissance Music / Camerata Fiorentina / Renaissance courts of Mantua, Ferrara, and Florence / Walter Benjamin, Aby Warburg, Esthetics / aby warburg; cast collections; Antiquity / Social and Collective Memory / Cultural Memory / Early Modern Intellectual History / 16th Century Counterpoint / Italian Renaissance Art / Early Modern Italy / Nachleben / Renaissance music / 16th Century Italian Art / Aby Warburg / Renaissance Ferrara / Maneirismo / Giulio Romano, Maneirism, Maneirismo / Late Italian Renaissance music, 20th-21st c. music / Nachleben der Antike- Denkraum-Pathosformeln-Burucúa / Renaissance Florence / Pathosformeln / Aby Warburg. Mnemosyne-Atlas / Camerata De' Bardi / Ferrara Estense / Pathos Formula / Giulio Caccini / Late Italian Renaissance Music / Camerata Fiorentina / Renaissance courts of Mantua, Ferrara, and Florence / Walter Benjamin, Aby Warburg, Esthetics / aby warburg; cast collections; Antiquity
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