Film and Media Studies

Transmedial Narratology and Contemporary Media Culture

Game studies / Media Studies / New Media / Media and Cultural Studies / Film Studies / Film Theory / Narrative / Digital Media / Film Analysis / Comics Studies / Cognitive Narratology / Video Games / Narratology / Adaptation / Comics / Film Adaptation / Comics/Sequential Art / Media / Transmedial Storytelling / Narrative Analysis / Narrative Theory / Adaptation (Film Studies) / Comics and Graphic Novels / Transmedia Storytelling / Film and Media Studies / Games / Transmedial Narratology / Game Studies / Film Theory / Narrative / Digital Media / Film Analysis / Comics Studies / Cognitive Narratology / Video Games / Narratology / Adaptation / Comics / Film Adaptation / Comics/Sequential Art / Media / Transmedial Storytelling / Narrative Analysis / Narrative Theory / Adaptation (Film Studies) / Comics and Graphic Novels / Transmedia Storytelling / Film and Media Studies / Games / Transmedial Narratology / Game Studies

Fragmenty, resztki i przekleństwo archiwum - o nostalgii w kulturze found footage

Restorative Dentistry And Endodontics / Philosophy / Archival Studies / Art History / New Media / Performing Arts / Humanities / Avant-Garde Cinema / Art / Art Theory / Film Theory and Practice / Film Studies / Film Theory / Memory (Cognitive Psychology) / Learning & Memory / Digitalizations of Non-Digital Art Works, Shows, Galleries, Events, Archives, Publishings / Cultural Heritage / Heritage Studies / Film Music And Sound / Digital Media / Contemporary Art / Literature and cinema / Film Analysis / Human Memory / History and Memory / Nostalgia (Psychology) / National Cinemas / Digital Cinema / Philosophy of Film / Philosophy of Art / Film Genre / Historical memory / Heritage Conservation / Digital Culture / Archives / Film-Philosophy / Working Memory / Materialism / Hauntology / Memory Studies / Social and Collective Memory / Commemoration (Memory Studies) / Cultural Memory / Jacques Derrida / Film History / Commemoration and Memory / Minimalism / Collective Memory / History of Art / Film Semiotics / Psychoanalytic Film Theory / American Cinema / Film and History / Film & Digital Video / Materiality (Anthropology) / Popular And Political Cultures Of Memory / History of Archives / Contemporary Music / Derridean Deconstruction / Digital Archives / Social Memory / New Media Art / Cinema / Cultural Heritage Management / Public Memory / Film and Philosophy / World Cultural Heritage / memoralization / Art and Independent Cinema / Materiality of Art / Loss and Trauma / American independent cinema / Film Aesthetics / Visual Arts / Derrida / Autobiographical Memory / Grief (Psychology) / Memory and materiality / Jacques Derrida & Deconstruction / Digital Cultural Heritage / Digital Theory and Culture / Experimental Film / Film / Entropy / Minimalism (Art) / New Media Studies / Cinematography / Nostalgia / Film and Media Studies / American Independent Films / Guy Maddin / Heritage / Memory / Mass Communication and New Media / Cinema Studies / Science for Conservation and Restoration of Cultural Heritage / New Media and Digital Culture / Complicated Grief / Film archives / Materialities / Artes / Found Footage / Museum and Heritage Studies / Materiality / Archival Theory / Films / Archive / Consumption of nostalgia and retro items / Politics of Memory / Material Culture & Materiality / Destruction / Audiovisual Archives / Death, Grief, and Mourning / Grief and Loss / Grief / Nostalgia and Memory / Post-structuralism (especially the work of Jacques Derrida) / Contemporary Cinema / Archive Footage, Found Film / Decay / Creative Destruction / Film History & Archiving / Revival / Information Entropy / Glitch Art / PHILIP GLASS / Cinema and Television / Experimental Cinema, Found Footage / Retrospective Studies / Found-Footage Horror / Digitalisation of Cultural Heritage / Library and Archival Science / Social Memory and Nostalgia / Found Footage (Genre) / Bill Morrison / Specters of Marx / Widmontologia / Vintage Revival / Pixelisation / History of Film Theory and Criticism / Found Footage Research / Decasia / Svetlana Boym / Death and Grief and Social Media / Derrida Hauntology / Archival Footage / Performing Arts / Humanities / Avant-Garde Cinema / Art / Art Theory / Film Theory and Practice / Film Studies / Film Theory / Memory (Cognitive Psychology) / Learning & Memory / Digitalizations of Non-Digital Art Works, Shows, Galleries, Events, Archives, Publishings / Cultural Heritage / Heritage Studies / Film Music And Sound / Digital Media / Contemporary Art / Literature and cinema / Film Analysis / Human Memory / History and Memory / Nostalgia (Psychology) / National Cinemas / Digital Cinema / Philosophy of Film / Philosophy of Art / Film Genre / Historical memory / Heritage Conservation / Digital Culture / Archives / Film-Philosophy / Working Memory / Materialism / Hauntology / Memory Studies / Social and Collective Memory / Commemoration (Memory Studies) / Cultural Memory / Jacques Derrida / Film History / Commemoration and Memory / Minimalism / Collective Memory / History of Art / Film Semiotics / Psychoanalytic Film Theory / American Cinema / Film and History / Film & Digital Video / Materiality (Anthropology) / Popular And Political Cultures Of Memory / History of Archives / Contemporary Music / Derridean Deconstruction / Digital Archives / Social Memory / New Media Art / Cinema / Cultural Heritage Management / Public Memory / Film and Philosophy / World Cultural Heritage / memoralization / Art and Independent Cinema / Materiality of Art / Loss and Trauma / American independent cinema / Film Aesthetics / Visual Arts / Derrida / Autobiographical Memory / Grief (Psychology) / Memory and materiality / Jacques Derrida & Deconstruction / Digital Cultural Heritage / Digital Theory and Culture / Experimental Film / Film / Entropy / Minimalism (Art) / New Media Studies / Cinematography / Nostalgia / Film and Media Studies / American Independent Films / Guy Maddin / Heritage / Memory / Mass Communication and New Media / Cinema Studies / Science for Conservation and Restoration of Cultural Heritage / New Media and Digital Culture / Complicated Grief / Film archives / Materialities / Artes / Found Footage / Museum and Heritage Studies / Materiality / Archival Theory / Films / Archive / Consumption of nostalgia and retro items / Politics of Memory / Material Culture & Materiality / Destruction / Audiovisual Archives / Death, Grief, and Mourning / Grief and Loss / Grief / Nostalgia and Memory / Post-structuralism (especially the work of Jacques Derrida) / Contemporary Cinema / Archive Footage, Found Film / Decay / Creative Destruction / Film History & Archiving / Revival / Information Entropy / Glitch Art / PHILIP GLASS / Cinema and Television / Experimental Cinema, Found Footage / Retrospective Studies / Found-Footage Horror / Digitalisation of Cultural Heritage / Library and Archival Science / Social Memory and Nostalgia / Found Footage (Genre) / Bill Morrison / Specters of Marx / Widmontologia / Vintage Revival / Pixelisation / History of Film Theory and Criticism / Found Footage Research / Decasia / Svetlana Boym / Death and Grief and Social Media / Derrida Hauntology / Archival Footage

CiNeMa as Public Dreamtime - an Australian example . . .

Cultural Studies / Psychology / Psychoanalysis / Social Psychology / Anthropology / Indigenous or Aboriginal Studies / Social Anthropology / Social Sciences / Film Studies / Film Theory / Australian Studies / Film Analysis / Social and Cultural Anthropology / Cultural Psychology / Philosophy of Film / Australia / Australian society / Thanatology / Culture / Sigmund Freud / Euthanasia / Australian Indigenous Studies / Psychoanalytic Film Theory / Psychoanalysis And Literature / Visions And Dreams / Cinema / Dreams (Psychology) / Anthropology of Death / Film Aesthetics / Dreams / Literary Darwinism Or Evolutionary Literary Theory / Wilfred Bion / Psychoanalysis and art / Psychoanalytic Theory / Film and Media Studies / Melanie Klein / Cinema Studies / Australian Cinema / Aboriginal dreamtime / The ethical debate on Euthanasia / Analytical Philosophy of Film / Indigenous or Aboriginal Studies / Social Anthropology / Social Sciences / Film Studies / Film Theory / Australian Studies / Film Analysis / Social and Cultural Anthropology / Cultural Psychology / Philosophy of Film / Australia / Australian society / Thanatology / Culture / Sigmund Freud / Euthanasia / Australian Indigenous Studies / Psychoanalytic Film Theory / Psychoanalysis And Literature / Visions And Dreams / Cinema / Dreams (Psychology) / Anthropology of Death / Film Aesthetics / Dreams / Literary Darwinism Or Evolutionary Literary Theory / Wilfred Bion / Psychoanalysis and art / Psychoanalytic Theory / Film and Media Studies / Melanie Klein / Cinema Studies / Australian Cinema / Aboriginal dreamtime / The ethical debate on Euthanasia / Analytical Philosophy of Film

Intermidialidade e teoria clássica do cinema

Film Studies / Film Theory / Film and Media Studies

ENTRE CINEMA E HISTÓRIA: UMA ANÁLISE COMPARATIVA DA REPRESENTAÇÃO DO IMORTAL E DAS DIVINDADES NA ILÍADA, DE HOMERO, E NO FILME \"TROY\", DE WOLFGANG PETERSEN

Religion / Ancient History / Classics / Homer / Film Studies / Film Theory / Classical Reception Studies / Ancient Greek History / Classical Mythology / Homeric poetry / Antiquity / Film and Media Studies / Historia Antiga / Mithology / Iliada / Homeric studies / Grecia / Trojan War / Homeric epic / Troy Studies / Film Theory / Classical Reception Studies / Ancient Greek History / Classical Mythology / Homeric poetry / Antiquity / Film and Media Studies / Historia Antiga / Mithology / Iliada / Homeric studies / Grecia / Trojan War / Homeric epic / Troy Studies

Del color al sensorama. Cine e industria cultural

Critical Theory / Film Studies / Film Theory / Film Analysis / Frankfurt School (Philosophy) / Theodor Adorno / Philosophy of Film / Walter Benjamin / Cinema / Siegfried Kracauer / Adorno / Frankfurt School / Film Aesthetics / Film and Media Studies / Cinema Studies / Adorno/Horkheimer / Theodor Adorno / Philosophy of Film / Walter Benjamin / Cinema / Siegfried Kracauer / Adorno / Frankfurt School / Film Aesthetics / Film and Media Studies / Cinema Studies / Adorno/Horkheimer

Ethos, enunciação, mídia. Semiótica do ethos, Comunicação, midia e consumo, vol. 1 - ano 1 - n°2, 2004.

Media Studies / Rhetoric / Film Studies / Television Studies / Film and Media Studies / Ethos

O desenho metodológico de uma pesquisa qualitativa sobre cinema e educação

Media Studies / Film Studies / Media Education / Media Literacy / Cinema / Film and Media Studies / Cinema and Education / Mídias na Educação / Film and Media Studies / Cinema and Education / Mídias na Educação

CFP Special Issue: Intermediality in Global and Sinophone Contexts, Guest Editor Yomi Braester, Concentric Literary and Cultural Studies (A&HCI) (September 22, 2016, abstracts due)

Comparative Literature / Media Studies / New Media / Film Studies / Chinese Studies / Transnationalism / Sinology / Digital Media / Intermediality / Global media / Video Games / Taiwan Studies / Singapore / Hong Kong Cinema / Intermediality In Cinema / East Asian Cinema / New Media Art / Hong Kong / Comics and Graphic Novels / Film and Media Studies / Transnational Cinema / Macau / Intermediality, literature and visual culture / Taiwan Cinema / Transnationalism / Sinology / Digital Media / Intermediality / Global media / Video Games / Taiwan Studies / Singapore / Hong Kong Cinema / Intermediality In Cinema / East Asian Cinema / New Media Art / Hong Kong / Comics and Graphic Novels / Film and Media Studies / Transnational Cinema / Macau / Intermediality, literature and visual culture / Taiwan Cinema

Luis Saslavsky: Hollywood vivido e imaginado

Film Studies / Literature and cinema / Cosmopolitanism / Classical Hollywood / Film and Media Studies / Transnational Cinema / Argentinean cinema / Cinema and History / Transnational Cinema / Argentinean cinema / Cinema and History

O drama da descolonização em imagens em movimento – A propos do \"nascimento\" dos cinemas luso-africanos

African Studies / Film Studies / Portuguese Studies / Film History / Film and Media Studies

Feffer, \"W\'s Masculine Pseudo-Democracy\" (2007).PDF

American History / Gender Studies / Foreign Policy Analysis / Film Studies / Film Analysis / George W Bush adminstration / Film and Media Studies / Iraq War / Suicide Terrorism / Post 9/11 literature / George W Bush adminstration / Film and Media Studies / Iraq War / Suicide Terrorism / Post 9/11 literature

Fifty Shades Darker

Film Analysis / Film and Media Studies

Cinema queer? Sugestões de-formativas

Gender Studies / Queer Studies / Sex and Gender / Film Studies / Film Theory / Queer Theory / Film Analysis / Gender and Sexuality / Gender / Theories of Gender and Transgender / Film History / Cinema / New Queer Cinema / Film Aesthetics / Film / Queer Cinema / Film and Media Studies / Teoría Queer / Cinema Studies / Análisis Fílmico / Queer Art History, New Queer Cinema, Cinema / Queer Theory / Film Analysis / Gender and Sexuality / Gender / Theories of Gender and Transgender / Film History / Cinema / New Queer Cinema / Film Aesthetics / Film / Queer Cinema / Film and Media Studies / Teoría Queer / Cinema Studies / Análisis Fílmico / Queer Art History, New Queer Cinema, Cinema

1976-2016: 40 años de teledemocracia española

Media Studies / Media and Cultural Studies / Spain (History) / Film and Media Studies / TV studies / Periodismo / Medios de Comunicación / The Spanish Transition to Democracy / Comunicación Política / Transición de la Dictadura a la Democracia / Periodismo / Medios de Comunicación / The Spanish Transition to Democracy / Comunicación Política / Transición de la Dictadura a la Democracia
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