Film and Media Studies

Brideshead Reloaded

English Literature / Film Studies / Literature and cinema / Graham Greene / Film History / Cinema / F.W. Murnau / Cinephilia / Evelyn Waugh / Film and Media Studies / Cinema Studies / Charles Chaplin / Henry Green / Amateur Film / Cinephilia History / University of Oxford / Literature in the 1920s and 1930s / Brideshead Revisited / Evelyn Waugh Criticism / Vile Bodies / The Cabinet of Dr. Caligari / Oxbridge / Brideshead / Thorold Dickinson / Anthony Asquith / Elsa Lanchester / Harold Acton / Robert Byron / Rex Ingram / Cinema / F.W. Murnau / Cinephilia / Evelyn Waugh / Film and Media Studies / Cinema Studies / Charles Chaplin / Henry Green / Amateur Film / Cinephilia History / University of Oxford / Literature in the 1920s and 1930s / Brideshead Revisited / Evelyn Waugh Criticism / Vile Bodies / The Cabinet of Dr. Caligari / Oxbridge / Brideshead / Thorold Dickinson / Anthony Asquith / Elsa Lanchester / Harold Acton / Robert Byron / Rex Ingram

Dredd (Pete Travis, UK, 2012)

Film Studies / Film Analysis / Hobbes / Comic Book Studies / Film Adaptation / Science Fiction / Thomas Hobbes / Science Fiction Film / Cinema / Dystopian Fiction / Film Aesthetics / Comics and Graphic Novels / 3D Cinema / Film and Media Studies / Cinema Studies / Utopian, Dystopian, and Post-Apocalyptic Fiction / Alan Moore / Contemporary Cinema / Christopher Nolan / Mega-City Regions / Comic Adaptations to Film / Dystopian Film / 28 Days Later... / Judge Dredd / Alex Garland / Mega-City Development / Karl Urban / Olivia Thirlby / Wood Harris / Lena Headey / Science Fiction / Thomas Hobbes / Science Fiction Film / Cinema / Dystopian Fiction / Film Aesthetics / Comics and Graphic Novels / 3D Cinema / Film and Media Studies / Cinema Studies / Utopian, Dystopian, and Post-Apocalyptic Fiction / Alan Moore / Contemporary Cinema / Christopher Nolan / Mega-City Regions / Comic Adaptations to Film / Dystopian Film / 28 Days Later... / Judge Dredd / Alex Garland / Mega-City Development / Karl Urban / Olivia Thirlby / Wood Harris / Lena Headey

Diálogos narrativos: as linhas de aproximação entre o audiovisual e os video games

Video Games / Adaptation / Film and Media Studies / Bakhtin dialogism

Zecchi, Barbara (2015) «La españolada al femminile» Rassegna iberistica ISSN 0392-4777 Vol. 38 – Num. 103 – Giugno 2015

Folklore / Spanish / Film and Media Studies / Women and Gender Studies / Gynocine / Folcoristas

Trans on YouTube: Intimacy, Visibility, Temporality

Media Studies / New Media / Media and Cultural Studies / Youth Studies / Transgender Studies / Digital Media / Youth Culture / Social Media / Transsexuality / Critical Media Studies / Theories of Gender and Transgender / Media / Youth Subcultures / Transgender / New Media Studies / Film and Media Studies / Youtube / Youth / Transsexuality and Transgender / Vlogs / Lesbian Gay Bisexual Transgender Studies / Digital Media / Youth Culture / Social Media / Transsexuality / Critical Media Studies / Theories of Gender and Transgender / Media / Youth Subcultures / Transgender / New Media Studies / Film and Media Studies / Youtube / Youth / Transsexuality and Transgender / Vlogs / Lesbian Gay Bisexual Transgender Studies

Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer

Media Studies / Avant-Garde Cinema / Animation / Photography / Performance Studies / Animation Theory / Stop-motion Animation / Music Video / Gesture / Puppetry / Surrealism / Performativity / Gender / Performance / Judith Butler / Carl G. Jung / Cinema / Animism / Puppet Theatre / Jan Svankmajer / The uncanny / Performativity of Gender / Puppetry as an Art Form / Puppet Animation / Quay Brothers / Film and Media Studies / Dehumanization and Objectification / Representation of Women in Music Lyrics and Videos / Transgression / DANCE FILM / David Bowie / Transmedia, Screenwriting, Film and Media Studies / Animated Visual Music, Animation / Animism, Animation, Animation Theory / Human Agency / Video Music / Animation Theory and Practice / Gestures Studies / Pixillation / Floria Sigismondi / Animation Theory / Stop-motion Animation / Music Video / Gesture / Puppetry / Surrealism / Performativity / Gender / Performance / Judith Butler / Carl G. Jung / Cinema / Animism / Puppet Theatre / Jan Svankmajer / The uncanny / Performativity of Gender / Puppetry as an Art Form / Puppet Animation / Quay Brothers / Film and Media Studies / Dehumanization and Objectification / Representation of Women in Music Lyrics and Videos / Transgression / DANCE FILM / David Bowie / Transmedia, Screenwriting, Film and Media Studies / Animated Visual Music, Animation / Animism, Animation, Animation Theory / Human Agency / Video Music / Animation Theory and Practice / Gestures Studies / Pixillation / Floria Sigismondi

O auteur a ver-se a si mesmo ao espelho: as alegorias do enunciador em Jean Cocteau

Film Studies / Film Analysis / Allegory / Cinema / Film Aesthetics / Authorship / Film and Media Studies / Cinema Studies / Narcissism / Jean Cocteau / Mirror / Authorship / Film and Media Studies / Cinema Studies / Narcissism / Jean Cocteau / Mirror

A realidade da ilusão: \"Lá Fora\" (2004) como alegoria cinematográfica

Film Studies / European Cinema / Film Analysis / Self-Reference, Reflexivity, Reflection / Allegory / Film and Media Studies / Cinema Studies / Portuguese Cinema / Metacinema / Dispositif (Apparatus-Theory) / Film and Media Studies / Cinema Studies / Portuguese Cinema / Metacinema / Dispositif (Apparatus-Theory)

Cine, música e historia: Heitor Villa-Lobos y O Descobrimento do Brasil (1937) de Humberto Mauro

Brazilian Studies / Brazilian History / Film History / Film and History / Film and Media Studies / Cinema brasileiro / Cinema and Education / Heitor Villa-Lobos / Heitor Villa-Lobos: Music between Politics, Nation, and Cultural Heritage / Heitor Villa-Lobos (1887-1959) / Cinema brasileiro, cinema educativo, História do Brasil Republicano / Cinema brasileiro / Cinema and Education / Heitor Villa-Lobos / Heitor Villa-Lobos: Music between Politics, Nation, and Cultural Heritage / Heitor Villa-Lobos (1887-1959) / Cinema brasileiro, cinema educativo, História do Brasil Republicano

¿Por qué nos gusta tanto Orange Is The New Black?

Gender Studies / Film Studies / Gender and Sexuality / Theories of Gender and Transgender / Series TV / Film and Media Studies

O cinema em Merleau-Ponty – em um caminho da saturação do imaginário

Film Studies / Film Theory / Philosophy of Film / Cinema / Film Aesthetics / Film and Media Studies / Cinema Studies / Film and Media Studies / Cinema Studies

Sobre o Museu, o Cinema e o dever da Memória em \"Les Statues meurent aussi\"

Film and Media Studies / Chris Marker / Alain Resnais / Museums and Film Theory

A continuidade no cinema: Uma perspectiva formal

Film Studies / Film Theory / Film and Media Studies / Script Supervisor

«Boxing Cravan. Cinematógrafo, estranhamento, subitaneidade», Literatura e Sociedade, São Paulo, Departamento de Teoria Literária · Universidade de São Paulo, 2015, pp. 132-147.

Avant-Garde Cinema / Literature and cinema / Documentary (Film Studies) / Boxing / Documentary Film / 20th century Avant-Garde / Boxing Literature / Film and Media Studies / Cinema Studies / Ostranenie / Viktor Shklovsky / Estrangement / 20th century Avant-Garde / Boxing Literature / Film and Media Studies / Cinema Studies / Ostranenie / Viktor Shklovsky / Estrangement

“O destino de Lisístrata. Uma adaptação para o cinema da comédia de Aristófanes” (Archai n. 7, 2011)

Greek Comedy / Aristophanes / Classical Reception Studies / Film and Media Studies

Que coisas nossas são estas? Música popular, disco e o início do cinema sonoro no Brasil

Film Music And Sound / Film and History / Film musicals / Film and Media Studies / Brazilian film
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