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PONTO DE LACERAÇÃO: A MORTE COMO DESARTICULAÇÃO NOS POEMAS DE ANA CRISTINA CESAR E ORIDES FONTELA

Maurice Blanchot / Georges Bataille / Contemporary Poetry / Poesía / Morte / Poesia Brasileira / Quiasmo / Brazilian poetry / Birth and Death Poetry / Poesia brasileira moderna e e contemporânea / Fragmento / Ana Cristina Cesar / Encenação / Orides Fontela / Poesia Brasileira / Quiasmo / Brazilian poetry / Birth and Death Poetry / Poesia brasileira moderna e e contemporânea / Fragmento / Ana Cristina Cesar / Encenação / Orides Fontela

Fragmentos e repetições: diálogos entre a obra de Clarice Lispector e a arte minimalista

Improvisation / Maurice Blanchot / Georges Bataille / Minimalism / Visual Arts / Minimalism (Art) / Clarice Lispector / Literatura / BELAS ARTES / Ruins / Artes / Artes plásticas / Literatura e artes visuais / Literatura Comparada / Literatura Comparada (Comparative Literature) / Eva Hesse / Repetition / Bataille / Fragmentation / Formless / Morte / Minimalismo / Quiasmo / Improvisação / Artes Visuais / Blanchot / Literaturas Comparadas / Ruinas / Lispector / Repetição / Fragmento / Form and Formless / Clarisse Lispector / Minimalism (Art) / Clarice Lispector / Literatura / BELAS ARTES / Ruins / Artes / Artes plásticas / Literatura e artes visuais / Literatura Comparada / Literatura Comparada (Comparative Literature) / Eva Hesse / Repetition / Bataille / Fragmentation / Formless / Morte / Minimalismo / Quiasmo / Improvisação / Artes Visuais / Blanchot / Literaturas Comparadas / Ruinas / Lispector / Repetição / Fragmento / Form and Formless / Clarisse Lispector

ALÉM DO ACASO ESTÚPIDO DA QUÍMICA: O INFORME COMO MANIPULAÇÃO DO TEMPO EM DECASIA, DE BILL MORRISON

Avant-Garde Cinema / Death / Archives / Memory Studies / Georges Bataille / Cinema / Experimental Cinema / Experimental Film / Nostalgia / Memory / Cinema Studies / Ruins / Appropriation / Fragmentation / Formless / Morte / Memoria / Experimental Film and Television. / Nostalgia and Memory / Decay / Experimental Film and Video / Experimental Film/Video / Experimental Cinema, Found Footage / Bill Morrison / Experimental Filmmaking / Experimental Animation, Experimental Film / Experimental films / Ruinas / Deterioration / Cult, Experimental and Avant Garde Film / Fragmento / Decadencia / Theoretical approaches to the moving image; the moving-image since 1945 (experimental film and video, ethnography, cinema vérité and their relationship to contemporary art). / Experimental movie / Ruínas / Cinema / Experimental Cinema / Experimental Film / Nostalgia / Memory / Cinema Studies / Ruins / Appropriation / Fragmentation / Formless / Morte / Memoria / Experimental Film and Television. / Nostalgia and Memory / Decay / Experimental Film and Video / Experimental Film/Video / Experimental Cinema, Found Footage / Bill Morrison / Experimental Filmmaking / Experimental Animation, Experimental Film / Experimental films / Ruinas / Deterioration / Cult, Experimental and Avant Garde Film / Fragmento / Decadencia / Theoretical approaches to the moving image; the moving-image since 1945 (experimental film and video, ethnography, cinema vérité and their relationship to contemporary art). / Experimental movie / Ruínas

Acumular Possibilidade é acalmar o MUNDO 1 : Ímpeto e uma certa ordem no projeto literário de Gonçalo M. Tavares

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ÁREAS VERDES URBANAS: HISTÓRIA, CONCEITOS E IMPORTÂNCIA ECOLÓGICA

Conservation / Forest Fragmentation / Biologia / Conservação / Urban Green Open Spaces / Novel ecosystems / Fragmento / Novel ecosystems / Fragmento

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