Opera

Farrar is Carmen!

Opera / Early Film / Silent Films / Cecil B. DeMille / Transmediality / Geraldine Farrar

\"¡Reina, déjame partir! El camino del héroe...\" Tannhäuser und der Sängerkrieg auf Wartburg. Teatro Real (Madrid) Programa de mano. Temporada 2009.

German Studies / Performing Arts / Opera / Applied Drama/Theatre / Drama / Mysticism / Aeneid / Wagner / Affect (Cultural Theory) / Richard Wagner / Women and Gender Studies / Singing / Dido and Aeneas / ópera / Mysticism / Aeneid / Wagner / Affect (Cultural Theory) / Richard Wagner / Women and Gender Studies / Singing / Dido and Aeneas / ópera

Ópera do Teio: materialização da festa como símbolo do poder régio

Italian Studies / Opera / XVIII century / Architectural History / Italian Theatre / History and Theory of Scenography / Lisbon (Portugal) / Scenography and Design / Lisbon Story / Lisbon Earthquake / Scenography and Architecture / Galli Bibiena / Giovanni Carlo Sicinio Galli Bibiena / Teatro real da Ópera do Tejo / Ópera do Tejo / Lisbon Royal Opera House of Tagus / History and Theory of Scenography / Lisbon (Portugal) / Scenography and Design / Lisbon Story / Lisbon Earthquake / Scenography and Architecture / Galli Bibiena / Giovanni Carlo Sicinio Galli Bibiena / Teatro real da Ópera do Tejo / Ópera do Tejo / Lisbon Royal Opera House of Tagus

Gomes-Ribeiro, Paula (Maio 2016) \'Dos discursos e da prática da ópera na produção de António Pinho Vargas\', Revista Glosas, nº 14.

Sociology / Music / Musicology / Communication / Musical Theatre / Performance Studies / Opera / Cultural Musicology / Sociology of Music / Performance Studies (Music) / Contemporary Music / Critical Musicology / History of music / Historical Musicology / Artes / Social History of Music and Musicians / ópera / Performance Studies / Opera / Cultural Musicology / Sociology of Music / Performance Studies (Music) / Contemporary Music / Critical Musicology / History of music / Historical Musicology / Artes / Social History of Music and Musicians / ópera

A ideologia do progresso no discurso de Ernesto Vieira e Júlio Neuparth (1880-1919)

Intellectual History / Music / Chamber Music / Music Education / Music History / Musicology / Reception Studies / History of Ideas / Romanticism / Republicanism / Idealism / Opera / Discourse / Ideology / Nationalism / Music and Politics / Music and Media / Cultural Identity / Music Aesthetics / National Identity / Intellectual and cultural history / Ideology and Discourse Analysis / Liberalism and Republicanism / Nationalism in Music / Richard Wagner / Operetta / Historical Musicology / Positivismo / Positivism / Music and Nationalism / Música / Identidade / Portuguese Intellectual and Cultural History / German romanticism and idealism / Programme music / Liberalismo / Social History of Music and Musicians / National Opera / Idealismo / Romantismo / Nacionalismo / Lieder / History of Music Education / Idea of Progress / Musicología histórica / Republicanismo / Symphonic Music / Ethnicity and National Identity / Musical identity / Music and the press / Primeira República / ópera / Nacionalismo Musical / Musical Nationalism / Música E Política / Absolute Music / Musicologia / Opereta / Music and Discourse / Associativismo musical / Música e sindicalismo / Music and progress / Musicology / Reception Studies / History of Ideas / Romanticism / Republicanism / Idealism / Opera / Discourse / Ideology / Nationalism / Music and Politics / Music and Media / Cultural Identity / Music Aesthetics / National Identity / Intellectual and cultural history / Ideology and Discourse Analysis / Liberalism and Republicanism / Nationalism in Music / Richard Wagner / Operetta / Historical Musicology / Positivismo / Positivism / Music and Nationalism / Música / Identidade / Portuguese Intellectual and Cultural History / German romanticism and idealism / Programme music / Liberalismo / Social History of Music and Musicians / National Opera / Idealismo / Romantismo / Nacionalismo / Lieder / History of Music Education / Idea of Progress / Musicología histórica / Republicanismo / Symphonic Music / Ethnicity and National Identity / Musical identity / Music and the press / Primeira República / ópera / Nacionalismo Musical / Musical Nationalism / Música E Política / Absolute Music / Musicologia / Opereta / Music and Discourse / Associativismo musical / Música e sindicalismo / Music and progress

Erros e variantes na edição de excertos da ópera Le Fate de Henrique Oswald (1852 – 1931)

Opera / Music editing / ópera / Henrique Oswald / Edição Musical

Las dos noches de Anastasio.pdf

Latin American Studies / Opera / Nations and nationalism / Literatura argentina
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