Painting

VESTIR A HISTÓRIA: Pintura, moda e identidade nacional da Amazônia, c. 1916-1923

History / Fashion design / Art / Painting / Fashion History / National Identity / Exhibitions / History of Exhibitions / National Identity / Exhibitions / History of Exhibitions

Leonardo da Vinci

Portraits / Painting / Angels / Italian Renaissance Art / Perfectionism / Creative thinking / Self Portraiture / France / Inventions / Firenze / Genius / Ducato di Milano / Creative thinking / Self Portraiture / France / Inventions / Firenze / Genius / Ducato di Milano

O CORPO FEMININO E SEUS ENIGMAS: A ESFINGE NA PINTURA DE FRANZ STUCK THE FEMALE BODY AND ITS ENIGMAS: THE SPHINX IN FRANZ STUCK\'S PAINTING

Literature / Literary Criticism / Painting / Art Criticism / Literatura / Pintura / Oedipus / Sphinx / Franz von Stuck / Esfinge / Pintura / Oedipus / Sphinx / Franz von Stuck / Esfinge

Joy Garnett: E n d s o f t h e E a r t h

Contemporary Art / Painting / Visual Arts / Exhibitions / Exhibition Catalogue

MILTOS MANETAS, Paintings from Contemporary Life

Art History / New Media / Contemporary Art / Painting / Netart / Relational aesthetics / Post-Internet Art / Post-Internet Aesthetics / Relational aesthetics / Post-Internet Art / Post-Internet Aesthetics

Imagens de música na pintura Quinhentista portuguesa e luso-flamenga: a oficina hieronimita de Évora

Iconography / Art History / Painting / Christian Iconography / Pintura / História da arte / Iconografia Musical Em Portugal / Iconografia musicale / Iconografia Musical / Historia Da Arte Em Portugal / História da arte / Iconografia Musical Em Portugal / Iconografia musicale / Iconografia Musical / Historia Da Arte Em Portugal

Inna Sandler, série de peintures \"Dada\"

Art History / Contemporary Art / Painting / Histoire de l'art / Exhibitions / Peinture / Histoire de l'art contemporaine / Peinture / Histoire de l'art contemporaine

Accademia.passato e presente

Painting / Visual Arts / Drawings / Graphics

Gino Severini\'s Analogies (2016)

Art History / Painting / History of the Senses / Italian art / Italian Cultural Studies / Filippo Tommaso Marinetti / Futurism / History of Art / Modern and Contemporary Art / Visual Analysis / Experience / Color / Color Theory / Speed / Umberto Boccioni / The Senses / Gino Severini / Giacomo Balla / Italian Futurism / 20th Century Italian Cultural History / Filippo Tommaso Marinetti / Futurism / History of Art / Modern and Contemporary Art / Visual Analysis / Experience / Color / Color Theory / Speed / Umberto Boccioni / The Senses / Gino Severini / Giacomo Balla / Italian Futurism / 20th Century Italian Cultural History

UNIVERSIDADE FEDERAL DE MINAS GERAIS FACULDADE DE FILOSOFIA E CIÊNCIAS HUMANAS A PINTURA DE PAUL CÉZANNE COMO REALIZACÃO FENOMENOLÓGICA EM MERLEAU-PONTY

Painting / Phenomenology / Visual perception / Maurice Merleau-Ponty / Phenomenology of the body / Philosophy of perception / Merleau-Ponty / The Art of Paul Cézanne / Paul Cézanne / Philosophy of perception / Merleau-Ponty / The Art of Paul Cézanne / Paul Cézanne

Nadie da más por menos. No one gives more for less.

Art Theory / Contemporary Art / Painting / Pintura / Arte contemporáneo / Historia y Teoria del Arte y la Arquitectura
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