Art

Intervenções Urbanas Disruptivas no Fim da Ditadura

Performing Arts / Art / Urban Studies / Urbanism / Street Art / Urban interventions (Architecture) / Estética Y Política / Arquitetura e Urbanismo / Independent art spaces / Espaço Publico / Independent artists / Ditadura Militar / Intervenção urbana / Estética e Teoria da Arte / Coletivos de Arte Independente / Performance urbana / Urban interventions (Architecture) / Estética Y Política / Arquitetura e Urbanismo / Independent art spaces / Espaço Publico / Independent artists / Ditadura Militar / Intervenção urbana / Estética e Teoria da Arte / Coletivos de Arte Independente / Performance urbana

Evento Fim de Década: performer, espectador e espaço público entre a ditadura e a democracia

Performing Arts / Art / Urban Studies / Urbanism / Street Art / Ditadura Militar / Intervenção urbana / Coletivos de Arte Independente / Ditadura Militar / Intervenção urbana / Coletivos de Arte Independente

El niño héroe, el mito y la historia. Sobre la película: O ano em que meus pais saíram de férias

Latin American Studies / Art History / Art / Art Theory / Contemporary Art / Latin American Art / Walter Benjamin / History of Art / Art Criticism / Brazilian Cinema / Cinema / Visual Arts / Latin American Cinema / Movies / Artes / Historia del Arte / Cinema and History / Arte contemporáneo / História da arte / Art Theory and Criticism / Cine Latinoamericano / Historia del Cine / Arte Contemporáneo Latinoamericano / Imagen Dialéctica / Latin American Art / Walter Benjamin / History of Art / Art Criticism / Brazilian Cinema / Cinema / Visual Arts / Latin American Cinema / Movies / Artes / Historia del Arte / Cinema and History / Arte contemporáneo / História da arte / Art Theory and Criticism / Cine Latinoamericano / Historia del Cine / Arte Contemporáneo Latinoamericano / Imagen Dialéctica

CRÓNICA REALISTAS DE MADRID, MUSEO THYSSEN, 2016

Art / Contemporary Art / Art Criticism / Realism / Artes / Arte contemporáneo / Realismo / Arte contemporáneo / Realismo

Fragmenty, resztki i przekleństwo archiwum - o nostalgii w kulturze found footage

Restorative Dentistry And Endodontics / Philosophy / Archival Studies / Art History / New Media / Performing Arts / Humanities / Avant-Garde Cinema / Art / Art Theory / Film Theory and Practice / Film Studies / Film Theory / Memory (Cognitive Psychology) / Learning & Memory / Digitalizations of Non-Digital Art Works, Shows, Galleries, Events, Archives, Publishings / Cultural Heritage / Heritage Studies / Film Music And Sound / Digital Media / Contemporary Art / Literature and cinema / Film Analysis / Human Memory / History and Memory / Nostalgia (Psychology) / National Cinemas / Digital Cinema / Philosophy of Film / Philosophy of Art / Film Genre / Historical memory / Heritage Conservation / Digital Culture / Archives / Film-Philosophy / Working Memory / Materialism / Hauntology / Memory Studies / Social and Collective Memory / Commemoration (Memory Studies) / Cultural Memory / Jacques Derrida / Film History / Commemoration and Memory / Minimalism / Collective Memory / History of Art / Film Semiotics / Psychoanalytic Film Theory / American Cinema / Film and History / Film & Digital Video / Materiality (Anthropology) / Popular And Political Cultures Of Memory / History of Archives / Contemporary Music / Derridean Deconstruction / Digital Archives / Social Memory / New Media Art / Cinema / Cultural Heritage Management / Public Memory / Film and Philosophy / World Cultural Heritage / memoralization / Art and Independent Cinema / Materiality of Art / Loss and Trauma / American independent cinema / Film Aesthetics / Visual Arts / Derrida / Autobiographical Memory / Grief (Psychology) / Memory and materiality / Jacques Derrida & Deconstruction / Digital Cultural Heritage / Digital Theory and Culture / Experimental Film / Film / Entropy / Minimalism (Art) / New Media Studies / Cinematography / Nostalgia / Film and Media Studies / American Independent Films / Guy Maddin / Heritage / Memory / Mass Communication and New Media / Cinema Studies / Science for Conservation and Restoration of Cultural Heritage / New Media and Digital Culture / Complicated Grief / Film archives / Materialities / Artes / Found Footage / Museum and Heritage Studies / Materiality / Archival Theory / Films / Archive / Consumption of nostalgia and retro items / Politics of Memory / Material Culture & Materiality / Destruction / Audiovisual Archives / Death, Grief, and Mourning / Grief and Loss / Grief / Nostalgia and Memory / Post-structuralism (especially the work of Jacques Derrida) / Contemporary Cinema / Archive Footage, Found Film / Decay / Creative Destruction / Film History & Archiving / Revival / Information Entropy / Glitch Art / PHILIP GLASS / Cinema and Television / Experimental Cinema, Found Footage / Retrospective Studies / Found-Footage Horror / Digitalisation of Cultural Heritage / Library and Archival Science / Social Memory and Nostalgia / Found Footage (Genre) / Bill Morrison / Specters of Marx / Widmontologia / Vintage Revival / Pixelisation / History of Film Theory and Criticism / Found Footage Research / Decasia / Svetlana Boym / Death and Grief and Social Media / Derrida Hauntology / Archival Footage / Performing Arts / Humanities / Avant-Garde Cinema / Art / Art Theory / Film Theory and Practice / Film Studies / Film Theory / Memory (Cognitive Psychology) / Learning & Memory / Digitalizations of Non-Digital Art Works, Shows, Galleries, Events, Archives, Publishings / Cultural Heritage / Heritage Studies / Film Music And Sound / Digital Media / Contemporary Art / Literature and cinema / Film Analysis / Human Memory / History and Memory / Nostalgia (Psychology) / National Cinemas / Digital Cinema / Philosophy of Film / Philosophy of Art / Film Genre / Historical memory / Heritage Conservation / Digital Culture / Archives / Film-Philosophy / Working Memory / Materialism / Hauntology / Memory Studies / Social and Collective Memory / Commemoration (Memory Studies) / Cultural Memory / Jacques Derrida / Film History / Commemoration and Memory / Minimalism / Collective Memory / History of Art / Film Semiotics / Psychoanalytic Film Theory / American Cinema / Film and History / Film & Digital Video / Materiality (Anthropology) / Popular And Political Cultures Of Memory / History of Archives / Contemporary Music / Derridean Deconstruction / Digital Archives / Social Memory / New Media Art / Cinema / Cultural Heritage Management / Public Memory / Film and Philosophy / World Cultural Heritage / memoralization / Art and Independent Cinema / Materiality of Art / Loss and Trauma / American independent cinema / Film Aesthetics / Visual Arts / Derrida / Autobiographical Memory / Grief (Psychology) / Memory and materiality / Jacques Derrida & Deconstruction / Digital Cultural Heritage / Digital Theory and Culture / Experimental Film / Film / Entropy / Minimalism (Art) / New Media Studies / Cinematography / Nostalgia / Film and Media Studies / American Independent Films / Guy Maddin / Heritage / Memory / Mass Communication and New Media / Cinema Studies / Science for Conservation and Restoration of Cultural Heritage / New Media and Digital Culture / Complicated Grief / Film archives / Materialities / Artes / Found Footage / Museum and Heritage Studies / Materiality / Archival Theory / Films / Archive / Consumption of nostalgia and retro items / Politics of Memory / Material Culture & Materiality / Destruction / Audiovisual Archives / Death, Grief, and Mourning / Grief and Loss / Grief / Nostalgia and Memory / Post-structuralism (especially the work of Jacques Derrida) / Contemporary Cinema / Archive Footage, Found Film / Decay / Creative Destruction / Film History & Archiving / Revival / Information Entropy / Glitch Art / PHILIP GLASS / Cinema and Television / Experimental Cinema, Found Footage / Retrospective Studies / Found-Footage Horror / Digitalisation of Cultural Heritage / Library and Archival Science / Social Memory and Nostalgia / Found Footage (Genre) / Bill Morrison / Specters of Marx / Widmontologia / Vintage Revival / Pixelisation / History of Film Theory and Criticism / Found Footage Research / Decasia / Svetlana Boym / Death and Grief and Social Media / Derrida Hauntology / Archival Footage

Reconfigurable memory based AES Co-processor

Art / Polymorphism / Cryptography / Field-Programmable Gate Arrays / Hardware Design / Hardware / Throughput / CoProcessors / Chip / Prototypes / Polynomials / Hardware / Throughput / CoProcessors / Chip / Prototypes / Polynomials

Cross-cultural perspectives on art Davies 2016.pdf

Aesthetics / Art / Cross-Cultural Communication / Origins of Art

Tecnologias de Vigilância na Arte: Uma Proposta de Análise Estética e Geopolítica

Art / Surveillance Studies / Comunicação Social / Artes / Tecnology / Novas Tecnologias / Vigilancia / Novas Tecnologias / Vigilancia

O artista-espectador na performance coletiva

Art / Performance Studies / Contemporary Art / Performance Art / Collective Action / Arte Contemporanea / Artes / Arte contemporáneo / Processos Coletivos / Artes Visuais / Art Collectives / Colectivos Artísticos / Coletivos De Arte / Arte Contemporanea / Artes / Arte contemporáneo / Processos Coletivos / Artes Visuais / Art Collectives / Colectivos Artísticos / Coletivos De Arte

ARTE COMO INVESTIMENTO A ARTE DOS NEGÓCIOS E O NEGÓCIO DAS ARTES

Art History / Art / Art Theory / Contemporary Art / Arts Education / Philosophy of Art / Visual Arts / Fine Arts / Artes / Philosophy of Art / Visual Arts / Fine Arts / Artes

Relatively serious play

Art / Contemporary Art / Painting / Visual Arts

Psicanálise e Arte como discursos do real: estudos sobre o corpo

Psychoanalysis / Art / The Body / Jacques Lacan / Artes / Psicanálise / Corpo / Três Registros / Psicanálise / Corpo / Três Registros
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