Film Analysis

O cinema como ferramenta andragógica para a terceira idade: o Projeto CINAGE

Social Work / Film Studies / Film Analysis / Andragogy / Cinema / Cinema Studies

O repeat viewing no contexto do metacinema

Film Studies / Film Analysis / Film and Media Studies / Metacinema / Metanarrative / Complex Narratives

পট-প্রতীক-বয়ান PHOTO-SIGNS-TEXT

Semiotics / Indian Philosophy / Film Studies / Photography / Film Analysis / Cultural Semiotics / Visual Semiotics / Photography Theory / Film Semiotics / Advaita Vedanta / Photography (Visual Studies) / Vedanta / Cultural Semiotics / Visual Semiotics / Photography Theory / Film Semiotics / Advaita Vedanta / Photography (Visual Studies) / Vedanta

O Negro é uma Cor: Juventude em Marcha de Pedro Costa

Film Analysis / African Diaspora Studies

Riocorrente e os estados da alma de São Paulo

Semiotics / Film Analysis / Film Semiotics / Social Semiotics / Semiotica

N. 19 / KINO KINO KINO KINO KINO: GUY MADDIN\'S CINEMA OF ARTIFICE / Sergio Díaz Branco

Film Studies / Film Theory / Film Analysis / Film History / Cinema / Cinema Studies

Incendies as Canadian Cinema

Canadian Studies / Film Studies / Film Theory / Film Analysis / Canadian French / Film / Film and Media Studies / Film / Film and Media Studies

Imagens-câmera, máquinas lógicas e retóricas documentárias

New Media / Democracy and Cyber-Democracy Theory and Practice / Film Studies / Political Theory / Film Analysis / Documentary (Film Studies) / Philosophy of Film / Political communication / Media Activism / Social Activism / Protest / Documentary Film / Activist Ethnography / Representation Theory / Political Representation / Activist Art / Cybercultures / Activism / New Media Studies / Art and Activism / Cyberactivism / Protest Movements / Social protests / Online activism / Self Representation / Documentary (Film Studies) / Philosophy of Film / Political communication / Media Activism / Social Activism / Protest / Documentary Film / Activist Ethnography / Representation Theory / Political Representation / Activist Art / Cybercultures / Activism / New Media Studies / Art and Activism / Cyberactivism / Protest Movements / Social protests / Online activism / Self Representation

O Espectador (IN)visível: Reflexividade na Óptica do Espectador em INLAND EMPIRE, de David Lynch

Film Analysis / Self-Reference, Reflexivity, Reflection / Cinema / David Lynch / The uncanny / Mise en abyme - Theory / Film and Media Studies / Cinema Studies / Metacinema / Metanarrative / Film Narrative / Allegory Studies / Mise en abyme - Theory / Film and Media Studies / Cinema Studies / Metacinema / Metanarrative / Film Narrative / Allegory Studies

Ecos do passado e do presente em \"Non ou a Vã Glória de Mandar\": Para uma inscrição cultural da Memória no Cinema Contemporâneo

Film Studies / Film Analysis / Cultural Memory / Portuguese Literature / Film and Media Studies / Cinema Studies / Manoel de Oliveira / Cinema Studies / Manoel de Oliveira

Quaderno SISM 2015 War Films

Military History / Cultural History / Film Studies / Film Theory / Literature and cinema / Film Analysis / Propaganda / Documentary (Film Studies) / Napoleonic Wars / War Films / Cinema / Documentary Film / Culture in the Soviet Union / Nazi Germany / Hollywood / Cinema of the Soviet Union / Psychological warfare / War movies / The Napoleonic Wars / Film Analysis / Propaganda / Documentary (Film Studies) / Napoleonic Wars / War Films / Cinema / Documentary Film / Culture in the Soviet Union / Nazi Germany / Hollywood / Cinema of the Soviet Union / Psychological warfare / War movies / The Napoleonic Wars

Percepção sintética e industrialização do não-olhar em Harun Farocki (draft)

Visual Studies / Film Studies / Visual Culture / Film Analysis / Computer Networks / Cinema / Databases / Software / Harun Farocki / Science and Technology Studies / Cinema / Databases / Software / Harun Farocki / Science and Technology Studies
Copyright © 2017 DADOSPDF Inc.